MORE <drive:><path>filename MORE < <drive:><path>filename command-name | MORE <drive:><path><filename> <drive:><path>filename Specifies file(s) to display one screen at a time command-name Specifies a command whose output will be displayed.
more is the standard file pager on UN*X systems. It is named for the default message it prints:
--More--(87%)
more is (a lot!) nicer than pg, but probably less satisfying than less.
Featured on Sci-Fi's channel show of short, independent films Exposure, More instantly became a number one hit with the audience. Here is a short synopsis directly from Exposure:
"Academy Award-nominee for Best Animated Short, More tells the story of a lowly factory worker who dreams of being a world-famous inventor. He toils endlessly on an enormous assembly-line until, one day, he invents a fabulous new product, and achieves ultimate success. Only, his success threatens the very child-like passion that got him there. Stop motion animation of an armature based puppet coupled with color transparency art and in-camera optical effects. Musical score by New Order."
Written and directed by Mark Osborne and produced by Stevel Kalafer, it is one of the best short films I have ever watched. Elegia by New Order provides a perfect soundtrack that enhances the on-screen animation and touches your soul.
It can be found at http://www.scifi.com/exposure/frameup/more.html
MORE(1) System Reference Manual MORE(1) NAME more - file perusal filter for crt viewing SYNOPSIS more [-dlfpcsu] [-num] [+/ pattern] [+ linenum] [file ...] DESCRIPTION More is a filter for paging through text one screenful at a time. This version is especially primitve. Users should realize that less(1) pro- vides more(1) emulation and extensive enhancements. OPTIONS Command line options are described below. Options are also taken from the environment variable MORE (make sure to precede them with a dash (``-'')) but command line options will override them. -num This option specifies an integer which is the screen size (in lines). -d more will prompt the user with the message "[Press space to contin- ue, 'q' to quit.]" and will display "[Press 'h' for instructions.]" instead of ringing the bell when an illegal key is pressed. -l more usually treats ^L (form feed) as a special character, and will pause after any line that contains a form feed. The -l option will prevent this behavior. -f Causes more to count logical, rather than screen lines (i.e., long lines are not folded). -p Do not scroll. Instead, clear the whole screen and then display the text. -c Do not scroll. Instead, paint each screen from the top, clearing the remainder of each line as it is displayed. -s Squeeze multiple blank lines into one. -u Suppress underlining. +/ The +/ option specifies a string that will be searched for before each file is displayed. +num Start at line number num. COMMANDS Interactive commands for more are based on vi(1). Some commands may be preceded by a decimal number, called k in the descriptions below. In the following descriptions, ^X means control-X. h or ? Help: display a summary of these commands. If you forget all the other commands, remember this one. SPACE Display next k lines of text. Defaults to current screen size. z Display next k lines of text. Defaults to current screen size. Argument becomes new default. RETURN Display next k lines of text. Defaults to 1. Argument be- comes new default. d or ^D Scroll k lines. Default is current scroll size, initially 11. Argument becomes new default. q or Q or INTERRUPT Exit. s Skip forward k lines of text. Defaults to 1. f Skip forward k screenfuls of text. Defaults to 1. b or ^B Skip backwards k screenfuls of text. Defaults to 1. ' Go to place where previous search started. = Display current line number. /pattern Search for kth occurrence of regular expression. Defaults to 1. n Search for kth occurrence of last r.e. Defaults to 1. ! or :! Execute in a subshell v Start up /usr/bin/vi at current line ^L Redraw screen :n Go to kth next file. Defaults to 1. :p Go to kth previous file. Defaults to 1. :f Display current file name and line number . Repeat previous command ENVIRONMENT More utilizes the following environment variables, if they exist: MORE This variable may be set with favored options to more. SHELL Current shell in use (normally set by the shell at login time). TERM Specifies terminal type, used by more to get the terminal characteristics necessary to manipulate the screen. SEE ALSO vi(1) less(1) AUTHORS Eric Shienbrood, UC Berkeley Modified by Geoff Peck, UCB to add underlining, single spacing Modified by John Foderaro, UCB to add -c and MORE environment variable HISTORY The more command appeared in 3.0BSD. This man page documents more version 5.19 (Berkeley 6/29/88), which is currently in use in the Linux communi- ty. Documentation was produced using several other versions of the man page, and extensive inspection of the source code. Linux 0.98 August 17, 2001 2
More Pink Floyd, 1969 (45:01) David Gilmour: guitars, vocals Nick Mason: drums Roger Waters: bass, vocals Rick Wright: keyboards, vocals
More Pink Floyd, 1969 (45:01)
David Gilmour: guitars, vocals Nick Mason: drums Roger Waters: bass, vocals Rick Wright: keyboards, vocals
More is Pink Floyd's third album, released July 27, 1969, and is the score for a film of the same name by Barbet Schroeder (produced by Jet Films). It was recorded in only a week at Abbey Road Studios (London) in March 1969, in the middle of working on Ummagumma. It has a wide range of sound (from unconventional electronica, in "Quicksilver", to blues, in "More Blues", to heavy metal, in "The Nile Song") but manages to remain a relatively laid-back album. "Cymbaline" and "Green is the Colour", two popular live songs, come from this album.
The album fits well in Floyd's discography: it appears between A Saucerful of Secrets (still very reminiscient of Barrett, but indicative of the band's growth) and Atom Heart Mother (Floyd's post-Barrett psychedelia shines, and the opposing forces of Waters and Gilmour begin to surface). (I leave out Ummagumma because More's production overlaps Ummagumma's, so the feel of the two albums are very similar.) That said, it's not a good album for anyone new to Floyd's works, unless you're doing things chronologically.
This was a weird time for Floyd: the relatively recent loss of Barrett shook things up quite a bit, and in this release you can begin to see the shape the band would eventually take. Waters shows the talent for songwriting he would later make evident with Dark Side of the Moon and The Wall, although this is definitely before his unignorable disgust with the music industry prevalent in the latter and Wish You Were Here. The album has a couple well-done tracks written by the whole group, such as "Ibiza Bar" and "Main Theme", but other tracks show that the band lacks direction without a definite leader.
More is either loved or hated by Floyd fans. Many fans who listen to the late-1970s Floyd work think this album is horrible, lacking the developed talent of Waters by that time; those who started listening to the band in the late 1960s and like Barrett's work enjoy this album because it is different from Piper and Saucerful but seems to tie into later more abstract albums like Meddle and Obscured By Clouds. Others feel that the album as a whole lacks the completenes that is common knowledge with other Floyd albums, like The Wall, Dark Side and even Piper, but appreciate of a few
The album cover (designed by Hipgnosis) is a creepy-looking landscape of deep blue and orange-yellow, with two people in the foreground waving to another person standing near a windmill in the background. The Japanese remastered reissue of the album has a darker cover than the previous releases.
Tracklisting:
In the spirit of the Dark Side of the Rainbow, More synchs up with The Ten Commandments. See Pink Floyd Synchronization phenomena for details.
References: Mine ears All Pink Floyd Fan Network (pinkfloydfan.net) Amazon (amazon.com)
More (?), n. [AS. mor. See Moor a waste.]
A hill.
Halliwell.
© Webster 1913.
More, n. [AS. more, moru; akin to G. mohre carrot, OHG. moraha, morha.]
A root.
Chaucer.
More, a., compar. [Positive wanting; superl. Most ().] [OE. more, mare, and (orig. neut. and adv.) mo, ma, AS. mara, and (as neut. and adv.) ma; akin to D. meer, OS. m�xc7;r, G. mehr, OHG. m�xc7;ro, m�xc7;r, Icel. meiri, meirr, Dan. meere, meer, Sw. mera, mer, Goth. maiza, a., mais, adv., and perh. to L. major greater, compar. of magnus great, and magis, adv., more. &root;103. Cf. Most, uch, Major.]
1.
Greater; superior; increased
Greater in quality, amount, degree, quality, and the like; with the singular
He gat more money. Chaucer.
If we procure not to ourselves more woe. Milton.
More, in this sense, was formerly used in connection with some other qualifying word, -- a, the, this, their, etc., -- which now requires the substitution of greater, further, or the like, for more.
Whilst sisters nine, which dwell on Parnasse height, Do make them music for their more delight. Spenser.
The more part knew not wherefore they were come together. Acts xix. 32.
Wrong not that wrong with a more contempt. Shak.
(b)
Greater in number; exceeding in numbers; -- with the plural
The people of the children of Israel are more and mighter than we. Ex. i. 9.
2.
Additional; other; as, he wept because there were no more words to conquer.
With open arms received one poet more. Pope.
More, n.
A greater quantity, amount, or number; that which exceeds or surpasses in any way what it is compared with.
And the children of Israel did so, and gathered, some more, some less. Ex. xvi. 17.
That which is in addition; something other and further; an additional or greater amount.
They that would have more and more can never have enough. L'Estrange.
O! That pang where more than madness lies. Byron.
Any more. (a) Anything or something additional or further; as, I do not need any more. (b) Adverbially: Further; beyond a certain time; as, do not think any more about it. -- No more, not anything more; nothing in addition. -- The more and less, the high and low. [Obs.] Shak. "All cried, both less and more." Chaucer.
More, adv.
In a greater quantity; in or to a greater extent or degree.
With a verb or participle.
Admiring more The riches of Heaven's pavement. Milton.
With an adjective or adverb (instead of the suffix -er) to form the comparative degree; as, more durable; more active; more sweetly.
Happy here, and more happy hereafter. Bacon.
Double comparatives were common among writers of the Elizabeth period, and for some time later; as, more brighter; more dearer.
The duke of Milan And his more braver daughter. Shak.
In addition; further; besides; again.
Yet once more, Oye laurels, and once more, Ye myrtles brown, with ivy never sere, I come to pluck your berries harsh and crude. Milton.
More and more, with continual increase. "Amon trespassed more and more." 2 Chron. xxxiii. 23. -- The more, to a greater degree; by an added quantity; for a reason already specified. -- The more -- the more, by how much more -- by so much more. "The more he praised in himself, the more he seems to suspect that in very deed it was not in him." Milton. -- To be no more, to have ceased to be; as, Cassius is no more; Troy is no more.
Those oracles which set the world in flames, Nor ceased to burn till kingdoms were no more. Byron.
More, v. t.
To make more; to increase.
Gower.
printable version chaos
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