This is the harbour in early spring, after the obligatory three days of snow that melts and then is gone until next February, but before the deluges of rain and summer people in torrents that mark the end of the season.

The water underneath the dock moves in a circuit, around like a loop of something computer generated. It is too improbably blue and silent to be real; this is why I hear her, the creak of the dock underfoot and the rustle of nylon raincoat, before I see her, brilliant red against the green of the forest behind her.

Julia, from the cliff; I want to tell her that I remember her, that I understood her then and I still do, but something in me screams against it and I am silent, again.

She sits down beside me as though we are old friends who have been coming to this harbour to watch the boats dock and the tides change for as long as we both can remember.

"You look lost," she says; her wry smile tells me that she also remembers the cliff.

I smile also in surrender, understanding the game.

"Why are you here?"

"Why are you?"

I consider for a moment, changing and reformulating the questions I have in my mind. "Because I thought once that I needed to grow up, and working on the world from here seemed like a better idea than stagnating in the city."

"And did you?" she returned calmly.

"Everyone needs to change. It's part of growing up, I suppose. If everyone did what they wanted to all the time there'd be chaos." I shrug helplessly, wanting to explain. "That's what sets us apart as a species, that we can think and progress. I could be anything now."

I look at her, and her eyes show her sympathetic understanding of my ineloquence. There is a moment of carefully-orchestrated silence before she replies. I almost stop her, thinking that I need to apologise; I don't want to tell her all the things it feels like I am going to.

"Do you believe in evolution? That we progress and change, become other things?"

"I suppose so," I say carefully.

"What are we supposed to believe?"

I smile indulgently, but she doesn't see it and continues on.

"For continued existence there is change, development, progress. Survival of the fittest. Usually it is just one animal with some specific variation that determines the survival of the population and their change into something new. Black moths into white moths, you know?"

I didn't know. "I don't understand."

"Why are you here?"

I shouldn't let this bother me, but it does. I feel myself becoming defensive and my voice is sharper than it needs to be when I retort, "I'm here to learn sense and logic, to learn not to waste my life away on some park bench or empty dock."

She is quiet. "At least you're still angry somewhere. That's a good sign." She pauses for a moment, gathering her thoughts, then continues, "Insects don't have hearts like ours. Theirs are weak and inefficient, blood just sort of sloshes around inside them and then filters back through to be processed again. If you aren't going to use your heart, then what was the point of all this evolution?"

Her hair is tangled from the breeze and half tucked into her jacket, with tendrils floating free framing her face. I notice, suddenly, how beautiful she is.

"Is it enough just to be alive?"

The jacket itself is too big for her, it looks like a man's jacket, and it hides her figure from my view. I imagine what she might look like without it, and it becomes harder to listen to what she is saying.

"Now tell me why you are here."

"My clothes fit too well, and I was living too fast."

"Too fast for whom?"

"Everyone."

The air coming off the water is cool, and it tastes salty and bitter. I feel more alive now than I can remember ever feeling before.

"Things have changed, since I've been here. It's easy to be what you're supposed to be, there's no pressure and no conflict. No distractions, and it's just so easy to be right. How could I possibly sustain all this out there?"

"Where?"

"The real world. Off the island."

I gesture toward the mainland, but it is too distant and obscured by fog to appear as more than an indistinct grey blur far off on the horizon.

"You've lived here always, then?"

She nods.

"It's different out there. Time has forgotten this place."

She looks at me oddly and demurs, "What is out there that is not reflected here?"

Suddenly, sitting on the dock next to a woman I've only spoken with twice, I know that here with me is a soul akin to mine.

This is the second half. Please read Life in still water by bewilderbeast, first.

It is more dry than is usual. We are between wet snow and wet rain. And so it must be here, at the dock, where there is water. I am trying to remember who I am and the water moving makes me think in clearer shapes.

This time it is repetetive mindless movement, the same image flitting past again and again. A sopoforic dreamy effect. But what can you expect to find, looking for whitecaps on a still, misted day?

At the end of the dock is the girl from the rainbow. Sandy. She moves as she hears me but doesn't say anything. Often silence is more companionable; but when I am sitting beside her, something wants to be said.

"You look lost," I say, smiling because I don't know if I am saying it to her or me. As she smiles back I see something in her eyes and wonder what she knows.

"Why are you here?" She asks an impossible question because I don't quite know myself and how do you explain that to the girl on the end of the dock?

"Why are you?" I look at her as her eyes drift out across the ocean. Answering a question with a question is an old game and I wonder if she will play.

"Because I thought once that I needed to grow up, and working on the world from here seemed like a better idea than stagnating in the city."

It's always the ones who have come for simplicity and clarity who end up here beside me on the dock. In my mind I can see a restless line of them, adjusting their coats to keep the warm in and pulling their hair out of their eyes and swishing bare toes through unfamiliar water and asking me questions I can't answer... none of them ever stay.

"And did you?" But when does anyone grow up? What will she say?

"Everyone needs to change. It's part of growing up, I suppose. If everyone did what they wanted to all the time there'd be chaos." She shrugs. "That's what sets us apart as a species, that we can think and progress. I could be anything now."

All of them, coming from the city with pretty words and important ideas. Alexander, Sandy... others. They are all from the same mold.They come to understand and when they have they go, and all I want is more time.

"Do you believe in evolution? That we progress and change, become other things?"

"I suppose so." She sounds confused.

"What are we supposed to believe?" I want more time to figure out why they always become other things and I stay here, the same for the next one to encounter.

"For continued existence there is change, development, progress. 'Survival of the fittest'. Usually it is just one animal with some specific variation that determines the survival of the population and their change into something new. Black moths into white moths, you know?" I suppose someone has to be the catalyst.

"I don't understand."

"Why are you here?" I wonder if she knows.

"I'm here to learn sense and logic, to learn not to waste my life away on some park bench or empty dock."

"At least you're still angry somewhere. That's a good sign." Yes, a good sign. She is a change; the mold has evolved. She is going places, not casting about mindlessly for a dream. She isn't as full of barely-directed emotion as the others have been. But where is she going?

I continue."Insects don't have hearts like ours. Theirs are weak and inefficient, blood just sort of sloshes around inside them and then filters back through to be processed again. If you aren't going to use your heart, then what was the point of all this evolution?" Usually they come with hearts like insects, emotions sloshing around. Eventually they understand, but they don't use it. They leave before there's time, and the emotions slosh painlessly out for reprocessing while my heart breaks again.

"Is it enough just to be alive?" I have been wondering for some time. What kind of existance is it, sitting here on docks beside them as they find themselves and I lose myself? Sandy is looking at me, staring at me. Whether she is seeing the outside or the inside I do not know; but it is not a look of listening. "Now tell me why you are here," I say. I think perhaps I have said too much, let too much of myself go again.

"My clothes fit too well and I was living too fast."

"Too fast for whom?" It's an incongruous statement, about the fit of her clothes; but it's true. She is a sleekly outlined form, even sitting scrunched on a dock.

"Everyone."

She pauses, looking out into the water.

"Things have changed, since I've been here. It's easy to be what you're supposed to be, there's no pressure and no conflict. No distractions, and it's just so easy to be right. How could I possibly sustain all this out there?"

"Where?" I know the answer as I ask the question. They are all from there.

"The real world. Off the island." She waves towards it. The mainland is invisible in the distance and the mist. I think about asking her which place is really the real world; is it there, or is it here, where all of the fast ones come to slow down

"You've lived here always, then?"

I nod. Perhaps she can tell because of my hesitance. It's always the ones from outside who know what's real.

"It's different out there. Time has forgotten this place."

"What is out there that is not reflected here?" Here is just a concentrated version of out there. People are still lost and found. Hearts still break. Tears still fall, and souls are still understood.

She looks at me, and I look at her, and this time in her eyes I see myself. It scares me. When someone different breaks your heart, it is one thing. Her heart is the same and she will know how to make mine shatter.

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