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<entry><title>Booth's Algorithm (person)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/jamdung876/writeups/Booth%2527s+Algorithm"/><id>http://everything2.com/user/jamdung876/writeups/Booth%2527s+Algorithm</id><author><name>jamdung876</name><uri>http://everything2.com/user/jamdung876</uri></author><published>2009-11-29T21:25:36Z</published><updated>2009-11-29T21:25:36Z</updated>
<content type="html">&lt;p&gt;can u write the booth's algorithm in TASM for me please? it will help me ALOT for my assignment. &lt;a href=&quot;/title/gagentles%2540gmail.com&quot;&gt;gagentles@gmail.com&lt;/a&gt;&lt;/p&gt;</content>
</entry><entry><title>misery loves company (poetry)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/ignis_glaciesque/writeups/misery+loves+company"/><id>http://everything2.com/user/ignis_glaciesque/writeups/misery+loves+company</id><author><name>ignis_glaciesque</name><uri>http://everything2.com/user/ignis_glaciesque</uri></author><published>2009-11-29T21:21:29Z</published><updated>2009-11-29T21:21:29Z</updated>
<content type="html">&lt;p&gt;Some of us circle aimlessly like &lt;a href=&quot;/title/moth&quot;&gt;moths&lt;/a&gt;,&lt;br&gt;
&lt;a href=&quot;/title/celestial+navigation&quot;&gt;Buzzing bewildered around a light:&lt;br&gt;
We're bound so valiantly for the moon&lt;/a&gt;,&lt;br&gt;
But smash ourselves senseless each and every night.&lt;/p&gt;

&lt;p&gt;Some of us are like &lt;a href=&quot;/title/Bird+on+a+Wire&quot;&gt;crows perched on a wire&lt;/a&gt;,&lt;br&gt;
&lt;a href=&quot;/title/participant+observation&quot;&gt;Watching the world pass by down below&lt;/a&gt;:&lt;br&gt;
Birds of a feather, we flock together,&lt;br&gt;
Because it sure beats being alone.&lt;/p&gt;</content>
</entry><entry><title>megapixel (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/rootbeer277/writeups/megapixel"/><id>http://everything2.com/user/rootbeer277/writeups/megapixel</id><author><name>rootbeer277</name><uri>http://everything2.com/user/rootbeer277</uri></author><published>2009-11-29T21:09:56Z</published><updated>2009-11-29T21:09:56Z</updated>
<content type="html">&lt;p&gt;A megapixel is a unit of measurement for the &lt;a href=&quot;/title/resolution&quot;&gt;resolution&lt;/a&gt; of &lt;a href=&quot;/title/digital+camera&quot;&gt;digital cameras&lt;/a&gt;.  Higher megapixel counts are the primary marketing indicator of a higher-quality digital camera.  One &lt;a href=&quot;/title/mega&quot;&gt;mega&lt;/a&gt;pixel is equal to one million &lt;a href=&quot;/title/pixel&quot;&gt;pixels&lt;/a&gt;.  This is about 25% better than 1024x768, a popular screen resolution for computer displays.  The ever-increasing resolution on consumer digital cameras is primarily driven by small and smaller &lt;a href=&quot;/title/charged+coupled+device&quot;&gt;charged coupled device&lt;/a&gt; arrays getting smaller and cheaper to produce.&lt;/p&gt;

&lt;p&gt;Today's average digital cameras typically boast a resolution of over 10 megapixels and can cost under US$150.  This is enormously more resolution than the average family vacation photographer needs, and was just a few years ago only available in high-end professional digital cameras.  A 1 MP camera easily has enough resolution to display pictures on a computer, the primary advantage to higher resolutions is for printing them.  I find that as a &lt;a href=&quot;/title/rule+of+thumb&quot;&gt;rule of thumb&lt;/a&gt;, for each megapixel of resolution,&amp;hellip;</content>
</entry><entry><title>Google Wave (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/webmaren/writeups/Google+Wave"/><id>http://everything2.com/user/webmaren/writeups/Google+Wave</id><author><name>webmaren</name><uri>http://everything2.com/user/webmaren</uri></author><published>2009-11-29T21:05:24Z</published><updated>2009-11-29T21:05:24Z</updated>
<content type="html">&lt;p&gt;Google Wave is &lt;a href=&quot;/title/Google&quot;&gt;Google&lt;/a&gt;'s attempt to blast every other communication framework out there into the dust. Will it be that successful? I doubt it, but it's still gonna be making waves (ha ha &lt;a href=&quot;/title/pun&quot;&gt;pun&lt;/a&gt;) for several years.&lt;/p&gt;

&lt;p&gt;If you don't feel like watching the &lt;a href=&quot;http://www.youtube.com/watch?v=v_UyVmITiYQ&quot;&gt;intensely long video&lt;/a&gt; that Google recorded when it debuted the software at its &lt;a href=&quot;/title/Google+I%252FO&quot;&gt;I/O&lt;/a&gt; conference back in May of 2009, you're in luck. I'm gonna describe Wave to you, though it will probably be a little strange.&lt;/p&gt;

&lt;p&gt;Google Wave is the crossbreed of &lt;a href=&quot;/title/email&quot;&gt;email&lt;/a&gt;, &lt;a href=&quot;/title/instant+messaging&quot;&gt;instant messaging&lt;/a&gt;, &lt;a href=&quot;/title/wiki&quot;&gt;wiki&lt;/a&gt;, and &lt;a href=&quot;/title/forum&quot;&gt;forums&lt;/a&gt;. And that definition itself is probably glossing over half a dozen features that don't come from any of those four technologies. It aimed to combine the best elements of each, and in my opinion, it has. As it is (I'm looking just at the invite-only preview now), there are a lot of rough patches on the software, but it has delivered admirably on it core functionality.&lt;/p&gt;

&lt;p&gt;Google Wave is,&amp;hellip;</content>
</entry><entry><title>Birth of a Lizard (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/lizardinlaw/writeups/Birth+of+a+Lizard"/><id>http://everything2.com/user/lizardinlaw/writeups/Birth+of+a+Lizard</id><author><name>lizardinlaw</name><uri>http://everything2.com/user/lizardinlaw</uri></author><published>2009-11-29T20:52:35Z</published><updated>2009-11-29T20:52:35Z</updated>
<content type="html">&lt;p&gt;In every &lt;a href=&quot;/title/spare&quot;&gt;spare&lt;/a&gt; moment, you have been aching to know the &lt;a href=&quot;/title/origin&quot;&gt;origin&lt;/a&gt; story of &lt;a href=&quot;/title/Lizardinlaw&quot;&gt;Lizardinlaw&lt;/a&gt;. I know this. &lt;a href=&quot;/title/The+reality+of+this+information+makes+it+irrelevant&quot;&gt;Who knows what evil lurks in the hearts of men?&lt;/a&gt; Oh. That's the &lt;a href=&quot;/title/Shadow&quot;&gt;Shadow&lt;/a&gt;, not me.&lt;/p&gt;

&lt;p&gt;My little &lt;a href=&quot;/title/sister&quot;&gt;sister&lt;/a&gt; was diagnosed with &lt;a href=&quot;/title/breast+cancer&quot;&gt;breast cancer&lt;/a&gt; a few months after getting engaged, apparently publicly online, to some &quot;&lt;a href=&quot;/title/noder&quot;&gt;noder&lt;/a&gt;&quot; &lt;a href=&quot;/title/Brit&quot;&gt;Brit&lt;/a&gt;. He had flown over to &lt;a href=&quot;/title/California&quot;&gt;California&lt;/a&gt;, she had flown to &lt;a href=&quot;/title/England&quot;&gt;England&lt;/a&gt; and they jumped over a &lt;a href=&quot;/title/damn&quot;&gt;damn&lt;/a&gt; &lt;a href=&quot;/title/broom&quot;&gt;broom&lt;/a&gt;. They both wrote on some &lt;a href=&quot;/title/Everything2&quot;&gt;weird fucking ass writing site&lt;/a&gt; called E2 and that is where they met.&lt;/p&gt;

&lt;p&gt;My sister called me after her &lt;a href=&quot;/title/MRI&quot;&gt;MRI&lt;/a&gt;. &quot;Katy, I saw the films. One side looks like white netting and the other doesn't have any! I'll have to have a &lt;a href=&quot;/title/mastectomy&quot;&gt;mastectomy&lt;/a&gt;, won't I?&quot;&lt;/p&gt;

&lt;p&gt;&quot;Yes. If they look that different, yes.&quot; I am a family practice &lt;a href=&quot;/title/doctor&quot;&gt;doctor&lt;/a&gt;. I don't read breast MRIs either. But if they look that different, yes, &lt;a href=&quot;/title/bad&quot;&gt;bad&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;The British noder was &lt;a href=&quot;/title/Wertperch&quot;&gt;Wertperch&lt;/a&gt;, aka Kevin. He dropped everything and&amp;hellip;</content>
</entry><entry><title>Heartbreak (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Glowing+Fish/writeups/Heartbreak"/><id>http://everything2.com/user/Glowing+Fish/writeups/Heartbreak</id><author><name>Glowing Fish</name><uri>http://everything2.com/user/Glowing Fish</uri></author><published>2009-11-29T20:18:52Z</published><updated>2009-11-29T20:18:52Z</updated>
<content type="html">&lt;p&gt; Above, it says that the world is divided into those who have experienced heartbreak and those who have not. For those of you lucky or unlucky to not have experienced heartbreak, I offer you an important &lt;a href=&quot;/title/warning&quot;&gt;warning&lt;/a&gt;: &quot;heartbreak&quot; is not a &lt;a href=&quot;/title/metaphor&quot;&gt;metaphor&lt;/a&gt;. &quot;Heartbreak&quot; is not your mind's way of trying to &lt;a href=&quot;/title/parse&quot;&gt;parse&lt;/a&gt; and interpret your feelings, or to explain them using &lt;a href=&quot;/title/poetry&quot;&gt;poetry&lt;/a&gt;. Heartbreak, (and heartbreak can be caused by a number of things, ill-fortune at &lt;a href=&quot;/title/romantic+love&quot;&gt;romantic love&lt;/a&gt; being just one of them) is an immediate feeling in the chest. The only thing inaccurate about the metaphor is that (at least for me), I never feel it as a sharp, tearing pain as &quot;&lt;a href=&quot;/title/break&quot;&gt;break&lt;/a&gt;&quot; might suggest. Its more like a dull aching emptiness somewhat akin to getting &lt;a href=&quot;/title/kicked+in+the+stomach&quot;&gt;kicked in the stomach&lt;/a&gt;. Only less fun. &lt;/p&gt;</content>
</entry><entry><title>money tree (poetry)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Rancid_Pickle/writeups/money+tree"/><id>http://everything2.com/user/Rancid_Pickle/writeups/money+tree</id><author><name>Rancid_Pickle</name><uri>http://everything2.com/user/Rancid_Pickle</uri></author><published>2009-11-29T19:07:08Z</published><updated>2009-11-29T19:07:08Z</updated>
<content type="html">&lt;p&gt;It's obvious to see, I'm a &lt;a href=&quot;/title/money&quot;&gt;money&lt;/a&gt; &lt;a href=&quot;/title/bonsai&quot;&gt;tree&lt;/a&gt;&lt;br&gt;My kids flock by to pick on me&lt;br&gt;They don't care, until I'm quite &lt;a href=&quot;/title/nekkid&quot;&gt;bare&lt;/a&gt;&lt;br&gt;Kids grab my &lt;a href=&quot;/title/gimme+the+cash%2521&quot;&gt;leaves&lt;/a&gt; and &lt;a href=&quot;/title/run+away%2521&quot;&gt;flee&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;I sit and stare, in my &lt;a href=&quot;/title/Lay-z-boy&quot;&gt;Lay-z-boy&lt;/a&gt; lair&lt;br&gt;The kids won't approach on a &lt;a href=&quot;/title/double+dog+dare&quot;&gt;dare&lt;/a&gt;&lt;br&gt;Now that I'm free of all my money&lt;br&gt;I can get some rest, which is &lt;a href=&quot;/title/rare&quot;&gt;rare&lt;/a&gt;.&lt;/p&gt;</content>
</entry><entry><title>Slimming the Fat Controller: Good MVC Design (how-to)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/ZoeB/writeups/Slimming+the+Fat+Controller%253A+Good+MVC+Design"/><id>http://everything2.com/user/ZoeB/writeups/Slimming+the+Fat+Controller%253A+Good+MVC+Design</id><author><name>ZoeB</name><uri>http://everything2.com/user/ZoeB</uri></author><published>2009-11-29T18:13:13Z</published><updated>2009-11-29T18:13:13Z</updated>
<content type="html">&lt;p&gt;I once read &lt;a href=&quot;http://cakephp.org/files/Slides/OCPHP.pdf&quot;&gt;somewhere&lt;/a&gt; that, as a general rule of thumb, the correct way to use an &lt;a href=&quot;/title/Model-view-controller&quot;&gt;MVC framework&lt;/a&gt; is to make sure the models and views are at least as big as the controllers. This is very good advice.&lt;/p&gt;
&lt;p&gt;I don't know about anyone else, but when I started out writing projects in &lt;a href=&quot;/title/CakePHP&quot;&gt;CakePHP&lt;/a&gt;, I wasn't sure where to put a lot of &lt;a href=&quot;/title/computer+code&quot;&gt;code&lt;/a&gt; and, when in doubt, I put it all in the controllers. After a while, I realised there was a much better way of working: putting pretty much all the code that deals with the &lt;a href=&quot;/title/database&quot;&gt;database&lt;/a&gt; in the models, and pretty much all the code that deals with the &lt;a href=&quot;/title/user+interface&quot;&gt;user interface&lt;/a&gt; in the views, leaving the controllers with just the overall &lt;a href=&quot;/title/logic&quot;&gt;logic&lt;/a&gt; of the page to deal with.&lt;/p&gt;
&lt;p&gt;Let's look at a concrete example. I worked on a project where people bought products and subscribed to magazines. When I was making the product buying section of the &lt;a href=&quot;/title/website&quot;&gt;website&lt;/a&gt;, I needed to find out if the person who was logged in had to&amp;hellip;</content>
</entry><entry><title>iPhone 3G (review)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/rootbeer277/writeups/iPhone+3G"/><id>http://everything2.com/user/rootbeer277/writeups/iPhone+3G</id><author><name>rootbeer277</name><uri>http://everything2.com/user/rootbeer277</uri></author><published>2009-11-29T17:47:49Z</published><updated>2009-11-29T17:47:49Z</updated>
<content type="html">&lt;p&gt;In September of 2007, I &lt;a href=&quot;/title/iPhone#rootbeer277&quot;&gt;reviewed Apple's iPhone classic&lt;/a&gt;.  Although it was a beautiful piece of electronics by any standard, it didn't have the expansive software library I'd come to rely on in my &lt;a href=&quot;/title/Palm+Treo&quot;&gt;Palm Treo&lt;/a&gt;.  It was with a heavy heart that I returned it to AT&amp;T and went back to my loyal &lt;a href=&quot;/title/Swiss+Army+Knife&quot;&gt;Swiss Army Knife&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;Come July of 2008, I tried again with Apple's new &lt;strong&gt;iPhone 3G&lt;/strong&gt;.  The 3G has a number of upgrades over the classic version, most importantly the &lt;a href=&quot;/title/iTunes&quot;&gt;iTunes App Store&lt;/a&gt;.  It was a whole new experience.  The iPhone 3G took everything that was great about the original (covered in my original review, so I won't repeat them here), patched up a few oversights, and fixed almost everything that was lacking.  When version 3.0 of the software was released, the iPhone could even finally &lt;a href=&quot;/title/cut+and+paste&quot;&gt;copy and paste&lt;/a&gt;!  This feature was long overdue.  The iPhone proved itself to be every bit the workhorse my Palm Treo was, but sleeker, faster, and, yes I'll&amp;hellip;</content>
</entry><entry><title>pidgin (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/webmaren/writeups/pidgin"/><id>http://everything2.com/user/webmaren/writeups/pidgin</id><author><name>webmaren</name><uri>http://everything2.com/user/webmaren</uri></author><published>2009-11-29T16:06:40Z</published><updated>2009-11-29T16:06:40Z</updated>
<content type="html">&lt;p&gt;Pidgin is an open-source instant messaging client. At the time of writing, it is in version 2.6.2 and is one of the most popular cross-platform, cross-network instant messaging applications.&lt;/p&gt;

&lt;p&gt;Pidgin was originally called &lt;a href=&quot;/title/GAIM&quot;&gt;GAIM&lt;/a&gt;, however as a result of a trademark violation claim from &lt;a href=&quot;/title/AOL&quot;&gt;AOL&lt;/a&gt;, the project renamed itself Pidgin and changed the name of its base library from libgaim to &lt;a href=&quot;/title/libpurple&quot;&gt;libpurple&lt;/a&gt;. The GAIM acronym, which stood for Gtk + AIM, had become somewhat obsolete already, as GAIM supported many other instant messaging networks, so the name change was not especially resisted.&lt;/p&gt;

&lt;p&gt;&lt;h1&gt;Network Access&lt;/h1&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;/title/Bonjour&quot;&gt;Bonjour&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/Gadu-Gadu&quot;&gt;Gadu-Gadu&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/IRC&quot;&gt;Internet Relay Chat&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Lotus &lt;a href=&quot;/title/Sametime&quot;&gt;Sametime&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/MySpaceIM&quot;&gt;MySpaceIM&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/MSN+Messenger&quot;&gt;MSN Messenger&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Novell &lt;a href=&quot;/title/GroupWise&quot;&gt;GroupWise&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;OSCAR (&lt;a href=&quot;/title/AOL+Instant+Messenger&quot;&gt;AIM&lt;/a&gt;/&lt;a href=&quot;/title/ICQ&quot;&gt;ICQ&lt;/a&gt;/.Mac)&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/QQ&quot;&gt;QQ&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/SIMPLE&quot;&gt;SIMPLE&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/SILC&quot;&gt;SILC&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/XMPP&quot;&gt;XMPP&lt;/a&gt; (&lt;a href=&quot;/title/Google+Talk&quot;&gt;Google Talk&lt;/a&gt;, LJ Talk, Gizmo5, ...)&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/Yahoo%2521+Messenger&quot;&gt;Yahoo! Messenger&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/Zephyr&quot;&gt;Zephyr&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&amp;hellip;</content>
</entry><entry><title>Andromeda (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/webmaren/writeups/Andromeda"/><id>http://everything2.com/user/webmaren/writeups/Andromeda</id><author><name>webmaren</name><uri>http://everything2.com/user/webmaren</uri></author><published>2009-11-29T15:26:35Z</published><updated>2009-11-29T15:26:35Z</updated>
<content type="html">&lt;p&gt;&lt;i&gt;Andromeda&lt;/i&gt; was a &lt;a href=&quot;/title/science+fiction&quot;&gt;science fiction&lt;/a&gt; TV show based upon leftover material from &lt;a href=&quot;/title/Gene+Roddenberry&quot;&gt;Gene Roddenberry&lt;/a&gt;, creator of &lt;i&gt;&lt;a href=&quot;/title/Star+Trek&quot;&gt;Star Trek&lt;/a&gt;&lt;/i&gt;. It ran on American and Canadian television networks from October 2000 to May 2005.&lt;/p&gt;

&lt;p&gt;&lt;i&gt;Andromeda&lt;/i&gt; followed the &lt;a href=&quot;/title/Systems+Commonwealth&quot;&gt;Systems Commonwealth&lt;/a&gt; &lt;a href=&quot;/title/High+Guard&quot;&gt;High Guard&lt;/a&gt; warship &lt;i&gt;&lt;a href=&quot;/title/Andromeda+Ascendant&quot;&gt;Andromeda Ascendant&lt;/a&gt;&lt;/i&gt; and its captain, Dylan Hunt, as Hunt attempted to revive the Commonwealth from its destruction 300 years previously in order to defend its old territories from invasion by the &lt;a href=&quot;/title/Magog&quot;&gt;Magog&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;&lt;h1&gt;&lt;u&gt;Characters&lt;/u&gt;&lt;/h1&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;a href=&quot;/title/Dylan+Hunt&quot;&gt;Dylan Hunt&lt;/a&gt;&lt;/b&gt; (&lt;a href=&quot;/title/Kevin+Sorbo&quot;&gt;Kevin Sorbo&lt;/a&gt;) - Captain of the &lt;i&gt;Andromeda Ascendant&lt;/i&gt; and the show's main protagonist.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;a href=&quot;/title/Beka+Valentine&quot;&gt;Beka Valentine&lt;/a&gt;&lt;/b&gt; (&lt;a href=&quot;/title/Lisa+Ryder&quot;&gt;Lisa Ryder&lt;/a&gt;) - Captain of the &lt;i&gt;Eureka Maru&lt;/i&gt; and first officer of the &lt;i&gt;Andromeda Ascendant&lt;/i&gt;.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;a href=&quot;/title/Tyr+Anasazi&quot;&gt;Tyr Anasazi&lt;/a&gt;&lt;/b&gt; (&lt;a href=&quot;/title/Keith+Hamilton+Cobb&quot;&gt;Keith Hamilton Cobb&lt;/a&gt;) - A Nietzschean mercenary who serves as Weapons Officer aboard the &lt;i&gt;Andromeda Ascendant&lt;/i&gt;. (Seasons 1-4)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;a href=&quot;/title/Seamus+Harper&quot;&gt;Seamus Harper&lt;/a&gt;&lt;/b&gt; (&lt;/li&gt;&lt;/ul&gt;&amp;hellip;</content>
</entry><entry><title>and the voice of someone now mute (person)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/antigravpussy/writeups/and+the+voice+of+someone+now+mute"/><id>http://everything2.com/user/antigravpussy/writeups/and+the+voice+of+someone+now+mute</id><author><name>antigravpussy</name><uri>http://everything2.com/user/antigravpussy</uri></author><published>2009-11-29T15:14:31Z</published><updated>2009-11-29T15:14:31Z</updated>
<content type="html">&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;I enter
the &lt;a href=&quot;/title/in+silence%252C+knowledge+of+the+heart&quot;&gt;silence of the&lt;/a&gt; room, a silence
that vibrates in my ears. It almost sounds like it's spelling out your
name, letter by letter, floating past the middle of it, stroking the
&lt;a href=&quot;/title/your+name+is+beautiful&quot;&gt;a&lt;/a&gt;. That's the tone that inclines the change of
your name, the tone I can either pressure or soften, sharpen or smooth
out. I have the inkling of a feeling that indicates that I might one
day be able to do that. Maybe then, once your letters are smoothened
into a slab of rock, will I not &lt;a href=&quot;/title/you+are+a+fool+to+the+stage%252C+a+rough+sheet+of+paper+in+the+pocket+of+pink+dress%252C+a+remnant+of+another+life&quot;&gt;fade in&lt;/a&gt; front of you? Will I not fall, crumble like so many times
before? Only this once, touch your name with my hand, hold your name to
my heart, in silence. Where there will be no words spoken and no bodily
movements, no feet walking away. And won't they say; should it not fill
me with dread? Should it not be&amp;hellip;</content>
</entry><entry><title>breaking the curse (personal)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/cassparadox/writeups/breaking+the+curse"/><id>http://everything2.com/user/cassparadox/writeups/breaking+the+curse</id><author><name>cassparadox</name><uri>http://everything2.com/user/cassparadox</uri></author><published>2009-11-29T14:18:08Z</published><updated>2009-11-29T14:18:08Z</updated>
<content type="html">&lt;p&gt;We'd been fighting.&lt;/p&gt;

&lt;p&gt;He wanted to call off the engagement; I was &lt;a href=&quot;/title/delusional&quot;&gt;fighting for it&lt;/a&gt;. Surrender no ground, dig my heels in, going from &lt;a href=&quot;/title/codependent&quot;&gt;compliant and worshipful&lt;/a&gt; to tenacious and fiery in the defense of something that did me no good. Our friends mouthed promises not to take sides. Meanwhile, they did, lining up on both sides, swearing off conflict in favor of whispering behind both of our backs. Hooray for &lt;a href=&quot;/title/Minnesota+Nice&quot;&gt;Minnesota Nice&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;It seemed unnatural, &lt;a href=&quot;/title/out+of+the+blue&quot;&gt;out of the blue&lt;/a&gt;. So when I found the bucket of ashes with the cross dressed in children's clothes in the locked closet of in the basement of the rental house, when I got an explanation for the strange nightmares I'd been having, I jumped in with both eyes wide open, circling in to find the strange symbols that were everywhere, the little crosses, the strange &lt;a href=&quot;/title/runes&quot;&gt;runes&lt;/a&gt;, the gaping cracks in the floor and walls despite numerous (recent) mud jobs. At twenty, I wanted an explanation badly enough I could taste it.&lt;/p&gt;

&lt;p&gt;Surely he&amp;hellip;</content>
</entry><entry><title>Leo Tolstoy (person)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/davoroy/writeups/Leo+Tolstoy"/><id>http://everything2.com/user/davoroy/writeups/Leo+Tolstoy</id><author><name>davoroy</name><uri>http://everything2.com/user/davoroy</uri></author><published>2009-11-29T10:50:08Z</published><updated>2009-11-29T10:50:08Z</updated>
<content type="html">&lt;p&gt;&lt;small&gt;(Any info without citation comes from &lt;em&gt;The Kreutzer Sonata and Other Stories&lt;/em&gt;, Oxford University Press, Oxford, Great Britain, 1998. For other sources, see end of writeup.)&lt;/small&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Lev Nikolayevich Tolstoy&lt;/b&gt;: the author of  &lt;em&gt;&lt;a href=&quot;/title/War+and+Peace&quot;&gt;War and Peace&lt;/a&gt;&lt;/em&gt;, &lt;em&gt;&lt;a href=&quot;/title/Anna+Kerenina&quot;&gt;Anna Kerénina&lt;/a&gt;&lt;/em&gt;, and &lt;em&gt;&lt;a href=&quot;/title/The+Death+of+Ivan+Ilych&quot;&gt;The Death of Iván Illých&lt;/a&gt;&lt;/em&gt;. Leo Tolstoy's work is known for putting the fundaments of human nature onstage; making the big abstracts--philosophy, death, sociology, religion--a matter of character. It might be said that he was Modern before &lt;a href=&quot;/title/modernism&quot;&gt;Modernism&lt;/a&gt; came along. His best fiction (most notably those mentioned above) strove to withhold moral judgment and instead allow the realistic action of his characters to speak to universal issues. In 1881, he had a &lt;a href=&quot;/title/christian&quot;&gt;Christian&lt;/a&gt; &lt;a href=&quot;/title/rebirth&quot;&gt;rebirth&lt;/a&gt;, and later writings tended to be Christian tales or political pamphlets that took a moralistic stance. For all of his adult life,&amp;hellip;</content>
</entry><entry><title>Till The Morning Comes (review)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Glowing+Fish/writeups/Till+The+Morning+Comes"/><id>http://everything2.com/user/Glowing+Fish/writeups/Till+The+Morning+Comes</id><author><name>Glowing Fish</name><uri>http://everything2.com/user/Glowing Fish</uri></author><published>2009-11-29T10:18:28Z</published><updated>2009-11-29T10:18:28Z</updated>
<content type="html">&lt;p&gt; &quot;Till The Morning Comes&quot; is a song by &lt;a href=&quot;/title/Neil+Young&quot;&gt;Neil Young&lt;/a&gt; on the &lt;a href=&quot;/title/seminal&quot;&gt;seminal&lt;/a&gt; &lt;a href=&quot;/title/After+the+Gold+Rush&quot;&gt;After the Gold Rush&lt;/a&gt; album. It ends the first side of the album. It is a very short song, around a minute in length, and seems almost to be an afterthought, as the song fades away as the first side of the album comes to an end. The lyrics are also very simple: 
&lt;blockquote&gt;
I'm gonna give you till the morning comes
Till the morning comes, till the morning comes.

I'm only waiting till the morning comes
Till the morning comes, till the morning comes. 
&lt;/blockquote&gt;

And those are the lyrics in their entirety. &lt;/p&gt;
&lt;p&gt; Neil Young was known as one of the more &lt;a href=&quot;/title/cerebral&quot;&gt;cerebral&lt;/a&gt; rock musicians, and many of his lyrics were somehow socially meaningful, or at least poetic and evocative. Or sometimes mysterious. But this song is exactly what it sounds like: a simple plaintive message, that doesn't say much, but manages to capture a mood very very well. This song was written in the days before every telephone had a little clock on it; but&amp;hellip;</content>
</entry><entry><title>Mission Bay (place)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Demeter/writeups/Mission+Bay"/><id>http://everything2.com/user/Demeter/writeups/Mission+Bay</id><author><name>Demeter</name><uri>http://everything2.com/user/Demeter</uri></author><published>2009-11-29T09:33:22Z</published><updated>2009-11-29T09:33:22Z</updated>
<content type="html">&lt;p&gt;&lt;a href=&quot;/title/Mission+Bay&quot;&gt;Mission Bay&lt;/a&gt; is the most commercialised of &lt;a href=&quot;/title/Auckland&quot;&gt;Auckland's&lt;/a&gt; seafront bays.  Between the &lt;a href=&quot;/title/Central+Business+District&quot;&gt;CBD&lt;/a&gt; and &lt;a href=&quot;/title/Kaimanawa+Beach&quot;&gt;Kaimanawa Beach&lt;/a&gt;/&lt;a href=&quot;/title/St+Heliers&quot;&gt;St Heliers&lt;/a&gt;, it boasts the remains of an old &lt;a href=&quot;/title/Mission+House&quot;&gt;Mission House&lt;/a&gt; complex, (hence the name, obviously) a &lt;a href=&quot;/title/fountain&quot;&gt;fountain&lt;/a&gt;, a &lt;a href=&quot;/title/playground&quot;&gt;playground&lt;/a&gt;, a weekly &lt;a href=&quot;/title/Arts+and+Crafts&quot;&gt;Arts and Crafts&lt;/a&gt; market and &lt;a href=&quot;/title/Bastion+Point&quot;&gt;Bastion Point&lt;/a&gt; which is surrounded by gardens, and contains a memorial to &lt;a href=&quot;/title/Michael+Joseph+Savage&quot;&gt;Michael Joseph Savage&lt;/a&gt;, one of the most prominent of the country's past leaders, and and commands a great view across the &lt;a href=&quot;/title/Hauraki+Gulf&quot;&gt;Hauraki Gulf&lt;/a&gt; to &lt;a href=&quot;/title/Rangitoto&quot;&gt;Rangitoto&lt;/a&gt; Island.  There are also numerous &lt;a href=&quot;/title/cafe&quot;&gt;cafes&lt;/a&gt; where you can sit and watch the &lt;a href=&quot;/title/energetic&quot;&gt;energetic&lt;/a&gt; types run past.  There are &lt;a href=&quot;/title/rollerblade&quot;&gt;rollerblades &lt;/a&gt;and &lt;a href=&quot;/title/kayak&quot;&gt;kayaks&lt;/a&gt; for hire locally, so you can &lt;a href=&quot;/title/marvel&quot;&gt;marvel&lt;/a&gt; or &lt;a href=&quot;/title/snicker&quot;&gt;snicker&lt;/a&gt; at the hirers, too, depending on their skill level. It's a pleasant place to while away a sunny Sunday morning.&lt;/p&gt;</content>
</entry><entry><title>The Sonnets versus Venus and Adonis (essay)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Demeter/writeups/The+Sonnets+versus+Venus+and+Adonis"/><id>http://everything2.com/user/Demeter/writeups/The+Sonnets+versus+Venus+and+Adonis</id><author><name>Demeter</name><uri>http://everything2.com/user/Demeter</uri></author><published>2009-11-29T08:50:19Z</published><updated>2009-11-29T08:50:19Z</updated>
<content type="html">&lt;h4&gt;Are the sonnets the key that &lt;a href=&quot;/title/Wiliam+Shakespeare&quot;&gt;Shakespeare&lt;/a&gt; used to 'unlock his heart'?  Is &lt;a href=&quot;/title/Venus+and+Adonis&quot;&gt;Venus and Adonis&lt;/a&gt; really 'utterly aloof' from his own feelings? Are these works really polar opposites?&lt;/h4&gt;


   &lt;p&gt; At first glance, the two comments above, by &lt;a href=&quot;/title/William+Wordsworth&quot;&gt;Wordsworth&lt;/a&gt; and &lt;a href=&quot;/title/Samuel+Taylor+Coleridge&quot;&gt;Coleridge&lt;/a&gt; respectively, appear to come from the school of the blindingly &lt;a href=&quot;/title/obvious&quot;&gt;obvious&lt;/a&gt;; that  &lt;a href=&quot;/title/establishment&quot;&gt;establishment&lt;/a&gt; which brings us studies that show that &lt;a href=&quot;/title/insomnia&quot;&gt;insomniacs&lt;/a&gt; are generally more tired during the day than those who get a full eight hours sleep.  The sonnets are poems of love, we might argue, and &lt;em&gt;Venus and Adonis&lt;/em&gt; is a narrative work, &amp;ndash; about love, certainly, but springing from the brain, not the heart. These two different genres, we would probably continue, are in themselves completely different and therefore justify completely different approaches: they may even demand them. But the school of the blindingly obvious may not always teach the right lessons, and conventional&amp;hellip;</content>
</entry><entry><title>Jonah (poetry)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Demeter/writeups/Jonah"/><id>http://everything2.com/user/Demeter/writeups/Jonah</id><author><name>Demeter</name><uri>http://everything2.com/user/Demeter</uri></author><published>2009-11-29T07:49:54Z</published><updated>2009-11-29T07:49:54Z</updated>
<content type="html">&lt;p&gt;You are &lt;a href=&quot;/title/pragmatic&quot;&gt;pragmatic&lt;/a&gt;:&lt;br&gt;you understand the nature &lt;br&gt;of &lt;a href=&quot;/title/inevitability&quot;&gt;inevitability&lt;/a&gt; and don't struggle &lt;br&gt;against its burdens. And, so, &lt;br&gt;you let yourself &lt;a href=&quot;/title/sink&quot;&gt;sink&lt;/a&gt; &lt;br&gt;without flailing, out of the daylight&lt;br&gt;slide down, under, below,&lt;br&gt;along the glossy &lt;a href=&quot;/title/gullet&quot;&gt;gullet&lt;/a&gt; &lt;br&gt;that leads into the roaring &lt;br&gt;belly of the &lt;a href=&quot;/title/leviathan&quot;&gt;leviathan&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;Others, each responding to the &lt;a href=&quot;/title/impetus+&quot;&gt;impetus &lt;/a&gt;&lt;br&gt;of their own &lt;a href=&quot;/title/necessity&quot;&gt;necessity&lt;/a&gt;, are caught &lt;br&gt;as you are. They shiver, &lt;br&gt;sweat and wheeze in the &lt;a href=&quot;/title/noxious&quot;&gt;noxious&lt;/a&gt; air &lt;br&gt;that fills the rolling &lt;a href=&quot;/title/cavity&quot;&gt;cavity&lt;/a&gt;. &lt;br&gt;Their faces, pale, dark, olive, tan,&lt;br&gt;stretch away from you like &lt;a href=&quot;/title/string+of+pearls&quot;&gt;strung pearls&lt;/a&gt;&lt;br&gt;dangling into the &lt;a href=&quot;/title/distance&quot;&gt;distance&lt;/a&gt; &lt;br&gt;far beyond &lt;br&gt;the limits of your vision.&lt;/p&gt;

&lt;p&gt;While one or another may curse&lt;br&gt;aloud as they &lt;a href=&quot;/title/stumble&quot;&gt;stumble&lt;/a&gt;, unbalanced &lt;br&gt;by some abrupt &lt;a href=&quot;/title/lurch&quot;&gt;lurch&lt;/a&gt; or twist, &lt;br&gt;nobody converses. Eyes slip away,&lt;br&gt;gliding off &lt;a href=&quot;/title/importunate&quot;&gt;importunate&lt;/a&gt; glances&lt;br&gt;like slick weed off scales. They know&lt;br&gt;as you know, these others: &lt;br&gt;you are not companions; though&lt;br&gt;&amp;hellip;</content>
</entry><entry><title>seduced by sky (poetry)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Demeter/writeups/seduced+by+sky"/><id>http://everything2.com/user/Demeter/writeups/seduced+by+sky</id><author><name>Demeter</name><uri>http://everything2.com/user/Demeter</uri></author><published>2009-11-29T07:45:48Z</published><updated>2009-11-29T07:45:48Z</updated>
<content type="html">&lt;p&gt;We're supposed, I &lt;a href=&quot;/title/suppose&quot;&gt;suppose&lt;/a&gt;, when we look to the stars&lt;br&gt;to reflect and to &lt;a href=&quot;/title/contemplate&quot;&gt;contemplate&lt;/a&gt;:&lt;br&gt;how &lt;a href=&quot;/title/stranger+in+a+strange+land&quot;&gt;very far it is&lt;/a&gt;, even to &lt;a href=&quot;/title/Mars&quot;&gt;Mars&lt;/a&gt;,&lt;br&gt;how the space of ... well, &lt;a href=&quot;/title/space&quot;&gt;space&lt;/a&gt;, is so &lt;a href=&quot;/title/Hello+spaceboy&quot;&gt;great&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;We're supposed to be awed by the &lt;a href=&quot;/title/the+sun+is+a+mass+of+incandescent+gas&quot;&gt;millions of lights&lt;/a&gt;,&lt;br&gt;and to ponder the &lt;a href=&quot;/title/big+bang+theory&quot;&gt;thousands of years&lt;/a&gt;&lt;br&gt;they've been &lt;a href=&quot;/title/floating+in+a+tin+can&quot;&gt;shining like sails on the dark sea of night&lt;/a&gt;&lt;br&gt;till the &lt;a href=&quot;/title/across+the+universe&quot;&gt;universe&lt;/a&gt; washed them up here.&lt;/p&gt;

&lt;p&gt;We're supposed, I &lt;a href=&quot;/title/faith&quot;&gt;believe&lt;/a&gt;, to feel wonder and all&lt;br&gt;at the &lt;a href=&quot;/title/zaphod+beeblebrox&quot;&gt;sheer size of nothingness there&lt;/a&gt;&lt;br&gt;remembering all our &lt;a href=&quot;/title/insignificant&quot;&gt;concerns are so small&lt;/a&gt;&lt;br&gt;that the &lt;a href=&quot;/title/cosmos&quot;&gt;cosmos&lt;/a&gt; won't notice, or care.&lt;/p&gt;

&lt;p&gt;But, though I'm &lt;a href=&quot;/title/astound&quot;&gt;astounded&lt;/a&gt;, &lt;a href=&quot;/title/astonish&quot;&gt;astonished&lt;/a&gt; and such&lt;br&gt;at the &lt;a href=&quot;/title/firework&quot;&gt;firework&lt;/a&gt; display that I  see,&lt;br&gt;I'm amazed most of all that night loves me so much&lt;br&gt;he'd put on such a show &amp;ndash; just for me.&lt;/p&gt;</content>
</entry><entry><title>xmonad (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/ushdfgakjasgh/writeups/xmonad"/><id>http://everything2.com/user/ushdfgakjasgh/writeups/xmonad</id><author><name>ushdfgakjasgh</name><uri>http://everything2.com/user/ushdfgakjasgh</uri></author><published>2009-11-29T06:58:45Z</published><updated>2009-11-29T06:58:45Z</updated>
<content type="html">&lt;p&gt;No writeup on &lt;a href=&quot;/title/xmonad&quot;&gt;xmonad&lt;/a&gt;?  What the hell is the matter with you people?&lt;/p&gt;

&lt;p&gt;Xmonad is the totally bitching, kick-ass tiling window manager written in Haskell for use with the &lt;a href=&quot;/title/X11&quot;&gt;X11&lt;/a&gt; windowing environment.  It is incredibly configurable and allows you to do things like:&lt;/p&gt;

&lt;p&gt;&lt;ul&gt;
&lt;li&gt;Arrange your windows in a &lt;a href=&quot;/title/awesome&quot;&gt;Fibonacci spiral&lt;/a&gt;
&lt;li&gt;Press mod-P to run dmenu, which lets you run any program with visual autocomplete.&lt;/li&gt;
&lt;li&gt;Run xmobar, which you could really do anyway, but if you use the avoidstruts layout, it works very nicely, and xmobar/dzen/whatever will take the output from xmonad's loghook and jam it right into your totally bitching menubar!&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/awesome&quot;&gt;Write extensions in Haskell&lt;/a&gt;!&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/Saint+George+used+the+wrong+tactics&quot;&gt;Do whatever the hell you want&lt;/a&gt;, because Haskell is the best programming language in the history of programming languages!&lt;/li&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;

&lt;p&gt;Did I not sell you on using &lt;a href=&quot;/title/xmonad&quot;&gt;xmonad&lt;/a&gt; yet?  Well, here's my xmonad.hs, for your perusal.  It has a bunch of&amp;hellip;</content>
</entry><entry><title>All that you can take with you is that which you give away. (place)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/raincomplex/writeups/All+that+you+can+take+with+you+is+that+which+you+give+away."/><id>http://everything2.com/user/raincomplex/writeups/All+that+you+can+take+with+you+is+that+which+you+give+away.</id><author><name>raincomplex</name><uri>http://everything2.com/user/raincomplex</uri></author><published>2009-11-29T06:06:48Z</published><updated>2009-11-29T06:06:48Z</updated>
<content type="html">&lt;p&gt;Gg i v e Me your tired &amp;amp; poor,

&lt;br&gt;I will take them with me.

&lt;br&gt;Ll e n d Me your burdens &amp;amp; worries,

&lt;br&gt;For they are of no use to you here.



&lt;p&gt;Rr e m e m b e r the world You leave behind,

&lt;br&gt;difficult though it may be, &lt;a href=&quot;/title/living+an+entire+day+before+even+waking&quot;&gt;waking&lt;/a&gt;,

&lt;br&gt;Ii Know, Ii have seen Forgetting,

&lt;br&gt;&amp;amp; know what it does to you here.



&lt;p&gt;Dd e a f now, in dew-morning coolness the

&lt;br&gt;faeries are all hiding but the sunlight is everywhere,

&lt;br&gt;E&lt;a href=&quot;/title/one+fly%2526mdash%253Beverywhere+the+heat&quot;&gt;e v e r y w h e r e&lt;/a&gt; Th&amp;epsilon; Sun, Th&amp;epsilon; &lt;a href=&quot;/title/rEflEcting&quot;&gt;Colours&lt;/a&gt;

&lt;br&gt;(elsewhen, there is bending in stead of refraction)



&lt;p&gt;Ll i g h t in yr eyes&amp;mdash;on yr hands&amp;mdash;

&lt;br&gt;&lt;a href=&quot;/title/deaf+dew-morning+coolness+in+which+the+faeries+are+all+hiding+but+the+sunlight+is+everywhere&quot;&gt;this&lt;/a&gt; is not the night yielding to understanding

&lt;br&gt;Tt h i s &lt;small&gt;IS NOT YESTERDAY&lt;/small&gt;. (apolog&amp;mdash;&lt;a href=&quot;/title/look+into+them&quot;&gt;my eyes&lt;/a&gt;)

&lt;br&gt;Tell me, do you see your forgotten moments,

&amp;hellip;</content>
</entry><entry><title>Bookseller (person)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/raincomplex/writeups/Bookseller"/><id>http://everything2.com/user/raincomplex/writeups/Bookseller</id><author><name>raincomplex</name><uri>http://everything2.com/user/raincomplex</uri></author><published>2009-11-29T05:52:59Z</published><updated>2009-11-29T05:52:59Z</updated>
<content type="html">&lt;p&gt;I buy &lt;a href=&quot;/title/Demeter&quot;&gt;Demeter&lt;/a&gt; for &lt;a href=&quot;/title/%2522I%2527ll+give+you+half+off%2526mdash%253Bit+wasn%2527t+in+that+condition+when+I+put+it+up+there.%2522&quot;&gt;a dollar fifty&lt;/a&gt;.

&lt;br&gt;Oxford at the Clarendon Press, 1905. Price One Shilling.

&lt;br&gt;&quot;Written &amp;#91;and&amp;#93; acted by &amp;#91;the ladies of Somerville College, Oxford&amp;#93;

&lt;br&gt;at the inauguration of their new buildings &lt;a href=&quot;/title/the+year+of+our+Lord&quot;&gt;in that year&lt;/a&gt;,&quot; 1904.

&lt;br&gt;Surely the &lt;a href=&quot;/title/Robert+Bridges&quot;&gt;author&lt;/a&gt; did not &lt;a href=&quot;/title/you%252C+radiating+out+among+the+crush+of+people&quot;&gt;realize&lt;/a&gt; a tattered copy would

&lt;br&gt;find its way through a hundred years into my hands, gingerly

&lt;br&gt;not reading it but examining the binding (exposed at the spine-ends)

&lt;br&gt;and the rough page-edges, and fawning over pages 21 through 28,

&lt;br&gt;which were cut too short on the bottom,

&lt;br&gt;and in general not interested in Hades' abduction of Persephone.



&lt;p&gt;I buy the complete remains of &lt;a href=&quot;/title/Walt+Whitman&quot;&gt;Walt Whitman&lt;/a&gt; for &lt;a href=&quot;/title/%2522That%2527s+a+good+edition%2526mdash%253Bthere+are+probably+good+notes+in+the+back.%2522&quot;&gt;four fifty&lt;/a&gt;.

&lt;br&gt;Though his long lines do little for&amp;hellip;</content>
</entry><entry><title>Ski School (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Pandeism+Fish/writeups/Ski+School"/><id>http://everything2.com/user/Pandeism+Fish/writeups/Ski+School</id><author><name>Pandeism Fish</name><uri>http://everything2.com/user/Pandeism Fish</uri></author><published>2009-11-29T04:45:04Z</published><updated>2009-11-29T04:45:04Z</updated>
<content type="html">&lt;em&gt;Ski School&lt;/em&gt; is one of the worst &lt;a href=&quot;/title/review&quot;&gt;review&lt;/a&gt;ed &lt;a href=&quot;/title/movies&quot;&gt;movies&lt;/a&gt; ever made, although it does undeniably have its loyal &lt;a href=&quot;/title/fanbase&quot;&gt;fanbase&lt;/a&gt;. A &lt;a href=&quot;/title/1991&quot;&gt;1991&lt;/a&gt; film that could best be summed up as a lower rent &lt;a href=&quot;/title/derivation&quot;&gt;derivation&lt;/a&gt; from &lt;i&gt;&lt;a href=&quot;/title/Animal+House&quot;&gt;Animal House&lt;/a&gt;&lt;/i&gt; on a &lt;a href=&quot;/title/ski+slope&quot;&gt;ski slope&lt;/a&gt;, the premise is the typical &lt;a href=&quot;/title/paper-thin&quot;&gt;paper-thin&lt;/a&gt; plot of a &lt;a href=&quot;/title/rivalry&quot;&gt;rivalry&lt;/a&gt; play between the stuck-up &lt;a href=&quot;/title/ski+instructor&quot;&gt;ski instructor&lt;/a&gt;s of &quot;Section One,&quot; lead by snootily effective instructor Reid Janssens, and the wacky &lt;a href=&quot;/title/beer&quot;&gt;beer&lt;/a&gt;-guzzling, &lt;a href=&quot;/title/pussy&quot;&gt;pussy&lt;/a&gt;-chasing &lt;a href=&quot;/title/party+animals&quot;&gt;party animals&lt;/a&gt; of &quot;&lt;a href=&quot;/title/Section+Eight&quot;&gt;Section Eight&lt;/a&gt;&quot; (&lt;a href=&quot;/title/wink+wink%252C+nudge+nudge&quot;&gt;wink wink, nudge nudge&lt;/a&gt;, get it, section eight, the &lt;a href=&quot;/title/Army&quot;&gt;Army&lt;/a&gt; code for &lt;a href=&quot;/title/insanity&quot;&gt;insanity&lt;/a&gt;-discharge), led by ski instructor Dave Marshak, who apparently rarely actually teaches anyone to ski. The crux of the film is where the various groups of ski instructors must compete in the big ski tournament, which, naturally, Section Eight just &lt;i&gt;must&lt;/i&gt; win in order to stay on the slopes.&lt;br&gt;&lt;br&gt;

In order to beat the stuffy bad guys -- and other &lt;a href=&quot;/title/innocent+bystander&quot;&gt;innocent bystander&lt;/a&gt; competitors -- Section Eight pulls wacky &lt;a href=&quot;/title/shenanigan&quot;&gt;shenanigan&lt;/a&gt;s like&amp;hellip;</content>
</entry><entry><title>An unfinished kiss leaves a taste that is hard to get rid of (fiction)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/clone19/writeups/An+unfinished+kiss+leaves+a+taste+that+is+hard+to+get+rid+of"/><id>http://everything2.com/user/clone19/writeups/An+unfinished+kiss+leaves+a+taste+that+is+hard+to+get+rid+of</id><author><name>clone19</name><uri>http://everything2.com/user/clone19</uri></author><published>2009-11-29T03:47:41Z</published><updated>2009-11-29T03:47:41Z</updated>
<content type="html">&lt;em&gt;&lt;a href=&quot;/title/One+Look&quot;&gt;Una mirada&lt;/a&gt;&lt;br&gt;
&lt;a href=&quot;/title/Eyes+that+could+kill&quot;&gt;Ojos que matan&lt;/a&gt;&lt;br&gt;
&lt;a href=&quot;/title/Brought+to+his+knees+by+temptation&quot;&gt;De rodillas en tentacion&lt;/a&gt;&lt;br&gt;
&lt;/em&gt;&lt;br&gt;&lt;br&gt;
&lt;br&gt;
I was &lt;a href=&quot;/title/interview+with+a+mushroom&quot;&gt;shrooming&lt;/a&gt; when I met her. Shrooming really hard. With crazy thoughts racing through my mind, it was hard to focus on anything. I was in her head though - analyzing and understanding her every thought, every glance, every carefully chosen word. Pondering her intentions, sifting through the layers of &lt;a href=&quot;/title/girl+talk&quot;&gt;verbal bullshit&lt;/a&gt; to understand who she wanted me to see. Her eyes grazed my face, pausing momentarily on my own. I knew what she was going to say before she said it: &quot;&lt;a href=&quot;/title/Can+I+play+with+your+eyelashes%253F&quot;&gt;Can I play with your eyelashes?&lt;/a&gt;&quot;&lt;br&gt;
&lt;br&gt;&lt;br&gt;
&lt;br&gt;
&lt;em&gt;
Warm smile &amp;ndash; long blond hair&lt;br&gt;
Pretty green eyes and skin damned fair&lt;br&gt;
For sure lucky to get with a girl like that&lt;br&gt;
Couldn't pass this chance no matter what...&lt;br&gt;
&lt;/em&gt;&lt;br&gt;&lt;br&gt;
&lt;br&gt;


She's drunk on a Monday night, and I'm trying to score. 
&lt;br&gt;
&quot;I don't give a fuck&amp;hellip;</content>
</entry><entry><title>War As I Knew It (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Sc0ut/writeups/War+As+I+Knew+It"/><id>http://everything2.com/user/Sc0ut/writeups/War+As+I+Knew+It</id><author><name>Sc0ut</name><uri>http://everything2.com/user/Sc0ut</uri></author><published>2009-11-29T03:11:21Z</published><updated>2009-11-29T03:11:21Z</updated>
<content type="html">&lt;p&gt;The &lt;a href=&quot;/title/Australia&quot;&gt;midday sun&lt;/a&gt; beat down on four young &lt;a href=&quot;/title/boys&quot;&gt;recruits&lt;/a&gt;, glinting spectacularly from &lt;a href=&quot;/title/tennis+racquet&quot;&gt;long, metal objects&lt;/a&gt; grasped in their small hands. Perspiration dripped from them, leaving them constantly brushing it from their eyes. &lt;a href=&quot;/title/tennis+ball&quot;&gt;Shells&lt;/a&gt; from both directions whistled over the fifteen metre gap between opposing forces. The ground around them was stained &lt;a href=&quot;/title/Plexipave&quot;&gt;red&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;I stared across no-man's land. From the other side of the &lt;a href=&quot;/title/net&quot;&gt;barbed wire&lt;/a&gt;, a short guy with &lt;a href=&quot;/title/glasses&quot;&gt;binoculars&lt;/a&gt; glared straight back at me. We both knew this was our &lt;a href=&quot;/title/grand+final&quot;&gt;final battle&lt;/a&gt; of the day. Only now did I remember this was just a game ...or was it?&lt;/p&gt;</content>
</entry>
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