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<entry><title>Science Has No Morals (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/gate/writeups/Science+Has+No+Morals"/><id>http://everything2.com/user/gate/writeups/Science+Has+No+Morals</id><author><name>gate</name><uri>http://everything2.com/user/gate</uri></author><published>2009-11-29T23:37:19Z</published><updated>2009-11-29T23:37:19Z</updated>
<content type="html">&lt;p&gt;&lt;a href=&quot;/title/Science&quot;&gt;Science&lt;/a&gt; itself may be &lt;a href=&quot;/title/amoral&quot;&gt;amoral&lt;/a&gt;, but various social sciences involve the study or analysis of moral systems, from political science to economics to comparative religious studies.&lt;/p&gt;
&lt;p&gt;Science also has something to say about &lt;a href=&quot;/title/contemporary&quot;&gt;contemporary&lt;/a&gt; morality as the result of the &lt;a href=&quot;/title/cooperative+evolution&quot;&gt;evolution of cooperation&lt;/a&gt;. By &lt;a href=&quot;/title/cooperation&quot;&gt;cooperation&lt;/a&gt;, I don't merely mean negotiation or compromise. I think that implies that the result of cooperation is ultimately not as good as you would like, if you didn't have to do it. In many cases, I would say that's not true at all. &lt;/p&gt;
&lt;p&gt;For example, say there were two people on opposite sides of an island, each building their own house. So each of them climbs on ladders, by themselves, outside each of the houses, doing various things. The problem is that by working alone, they risk injury - the ladder may slip without anyone holding it. They also have nobody to hand them tools when they need it, etc etc. &lt;/p&gt;
&lt;p&gt;If they worked together to build the houses (ie. cooperation),&amp;hellip;</content>
</entry><entry><title>Beelzetruck (essay)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/TheCommander315/writeups/Beelzetruck"/><id>http://everything2.com/user/TheCommander315/writeups/Beelzetruck</id><author><name>TheCommander315</name><uri>http://everything2.com/user/TheCommander315</uri></author><published>2009-11-29T22:41:59Z</published><updated>2009-11-29T22:41:59Z</updated>
<content type="html">&lt;p&gt;There's a guy in my &lt;a href=&quot;/title/neighborhood&quot;&gt;neighborhood&lt;/a&gt; who owns a &lt;a href=&quot;/title/Dodge+Ram&quot;&gt;Dodge Ram&lt;/a&gt;. It's a horrendously loud &lt;a href=&quot;/title/Dodge&quot;&gt;Dodge&lt;/a&gt; Ram. The racket it makes could put &lt;a href=&quot;/title/Manowar&quot;&gt;Manowar&lt;/a&gt;'s loudest-ever concert to shame; turning the ignition on is like dropping a two-tonne weight on the world's largest &lt;a href=&quot;/title/whoopee+cushion&quot;&gt;whoopee cushion&lt;/a&gt;. And this is all because the stupid thing has no muffler.&lt;/p&gt;

&lt;p&gt;What do mufflers even cost? Certainly no more than US$100. I mean, you just buy a muffler, have it installed, and suddenly you're not driving the carnival machine from hell anymore. Simple as that. But no, every morning, I, along with the rest of the subdivision, must be subjected to the amplified sound of a thousand people &lt;a href=&quot;/title/breaking+wind&quot;&gt;breaking wind&lt;/a&gt; until somebody has the sense to complain. (Nobody has thus far, to the extent of my knowledge.)&lt;/p&gt;

&lt;p&gt;What motivates this &lt;a href=&quot;/title/neighbor&quot;&gt;neighbor&lt;/a&gt; of mine to drive a machine that sounds like it runs on steroid-laced bean burritos? Surely, to uncover the answer to this &lt;a href=&quot;/title/riddle&quot;&gt;riddle&lt;/a&gt; is to uncover the answer to the enigmas that motivate &lt;a href=&quot;/title/evil&quot;&gt;evil&lt;/a&gt; and cruelty,&amp;hellip;</content>
</entry><entry><title>risk reversal (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/filoraene/writeups/risk+reversal"/><id>http://everything2.com/user/filoraene/writeups/risk+reversal</id><author><name>filoraene</name><uri>http://everything2.com/user/filoraene</uri></author><published>2009-11-29T22:41:54Z</published><updated>2009-11-29T22:41:54Z</updated>
<content type="html">&lt;h3&gt; Introduction &lt;/h3&gt;
&lt;p&gt;&lt;/p&gt;
A &lt;a href=&quot;/title/risk&quot;&gt;risk&lt;/a&gt; &lt;a href=&quot;/title/reversal&quot;&gt;reversal&lt;/a&gt; is a combination of &lt;a href=&quot;/title/option&quot;&gt;options&lt;/a&gt;. As such, a risk reversal is 

an example of an &lt;a href=&quot;/title/option+strategy&quot;&gt;option strategy&lt;/a&gt;. In this writeup, we will see how a &lt;a href=&quot;/title/risk+reversal&quot;&gt;risk 

reversal&lt;/a&gt; is built, what the potential &lt;a href=&quot;/title/profit&quot;&gt;profit&lt;/a&gt; and &lt;a href=&quot;/title/risks&quot;&gt;risks&lt;/a&gt; are. This writeup assumes 

the reader is familiar with what an &lt;a href=&quot;/title/option&quot;&gt;option&lt;/a&gt; is. 
&lt;p&gt;&lt;/p&gt;
&lt;h3&gt;How to build a risk reversal&lt;/h3&gt;
&lt;p&gt;&lt;/p&gt;
A risk reversal consists of two options with the same time to expiry on the same 

underlying. The first option is a short out the money &lt;a href=&quot;/title/call&quot;&gt;call&lt;/a&gt;, and the second is a 

long out the money &lt;a href=&quot;/title/put&quot;&gt;put&lt;/a&gt;. This means that the &lt;a href=&quot;/title/strike&quot;&gt;strike&lt;/a&gt; of the put is lower than the 

call. Normally, the strikes of the risk reversal are both equally far from the 

current price of the &lt;a href=&quot;/title/underlying&quot;&gt;underlying&lt;/a&gt;.  This strategy has the following payoff at 

expiration
&lt;ul&gt;
&lt;li&gt;Below the strike of the put: The call is worthless, and the long in the money put 

has a value of 1 for each 1 the &lt;a href=&quot;/title/underlying&quot;&gt;underlying&lt;/a&gt; is below the the &lt;a href=&quot;/title/strike&quot;&gt;strike&lt;/a&gt;.
&lt;li&gt;Above the&lt;/li&gt;&lt;/li&gt;&lt;/ul&gt;&amp;hellip;</content>
</entry><entry><title>Science Has No Morals (essay)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/ZoeB/writeups/Science+Has+No+Morals"/><id>http://everything2.com/user/ZoeB/writeups/Science+Has+No+Morals</id><author><name>ZoeB</name><uri>http://everything2.com/user/ZoeB</uri></author><published>2009-11-29T22:16:15Z</published><updated>2009-11-29T22:16:15Z</updated>
<content type="html">&lt;p&gt;After watching yet another &lt;a href=&quot;/title/theological+debate&quot;&gt;theological debate&lt;/a&gt; where the participants cover old ground, this one a &lt;a href=&quot;http://www.youtube.com/watch?v=-hnqo4 X7PE&quot;&gt;two hour epic from Mexico&lt;/a&gt;, I've noticed a few points rear their heads again, and I'd like to discuss one in particular: the idea that &lt;a href=&quot;/title/science&quot;&gt;science&lt;/a&gt; must not replace &lt;a href=&quot;/title/religion&quot;&gt;religion&lt;/a&gt; because it doesn't tell people what &lt;a href=&quot;/title/moral&quot;&gt;morals&lt;/a&gt; they should have.&lt;/p&gt;
&lt;p&gt;It's true that science offers no &lt;a href=&quot;/title/moral+compass&quot;&gt;moral compass&lt;/a&gt;. It tells us how the &lt;a href=&quot;/title/universe&quot;&gt;universe&lt;/a&gt; works and how the things in it work, and it tells us why they work that way. It doesn't suggest how anything &lt;em&gt;ought to&lt;/em&gt; work in an ideal world. It merely &lt;a href=&quot;/title/Age+of+Enlightenment&quot;&gt;illuminates&lt;/a&gt; how things &lt;em&gt;do&lt;/em&gt; work in the real world.&lt;/p&gt;
&lt;p&gt;Most of the time, this is fine. It's both fun and useful to find out things like the size, &lt;a href=&quot;/title/oblate+spheroid&quot;&gt;shape&lt;/a&gt; and age of &lt;a href=&quot;/title/Earth&quot;&gt;our humble planet&lt;/a&gt;, or &lt;a href=&quot;/title/evolution&quot;&gt;where all the different species came from&lt;/a&gt;. No morals would be expected here.&lt;/p&gt;
&lt;p&gt;The apparent problem has come about&amp;hellip;</content>
</entry><entry><title>Oddballs (poetry)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Sc0ut/writeups/Oddballs"/><id>http://everything2.com/user/Sc0ut/writeups/Oddballs</id><author><name>Sc0ut</name><uri>http://everything2.com/user/Sc0ut</uri></author><published>2009-11-29T22:08:21Z</published><updated>2009-11-29T22:08:21Z</updated>
<content type="html">&lt;p&gt;Like scalpels and tweezers&lt;br&gt;Go &lt;a href=&quot;/title/chainsaws+and+freezers&quot;&gt;chainsaws and freezers&lt;/a&gt;&lt;br&gt;Amirite?&lt;/p&gt;

&lt;p&gt;Clearly I am a &lt;a href=&quot;/title/terrorist&quot;&gt;terrorist&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;/title/Things+only+you+see&quot;&gt;Unless there's something you've all missed&lt;/a&gt;&lt;br&gt;As &lt;a href=&quot;/title/Maxwell+Smart&quot;&gt;Maxwell Smart&lt;/a&gt; would say:&lt;br&gt;If only he had used his talents&lt;br&gt;To work for the forces of niceness and goodness&lt;br&gt;Instead of the forces of rottenness and evil&lt;/p&gt;

&lt;p&gt;One of the good guys&lt;br&gt;I've always been&lt;br&gt;Though it may not be obv'ous&lt;br&gt;Unless you have seen&lt;br&gt;I am a right&lt;br&gt;Peaceable guy&lt;br&gt;Really&lt;br&gt;&lt;a href=&quot;/title/Ninja&quot;&gt;Ninja&lt;/a&gt; and &lt;a href=&quot;/title/scout&quot;&gt;scout&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;/title/Blow+up+a+building+with+a+sack+of+flour+and+two+rounds+of+ammunition&quot;&gt;Pyro&lt;/a&gt; and &lt;a href=&quot;/title/ASIO&quot;&gt;spy&lt;/a&gt;&lt;br&gt;Nearly&lt;/p&gt;

&lt;p&gt;You couldn't be blamed&lt;br&gt;Thinking I'm insane&lt;br&gt;&quot;Look lady&lt;br&gt;The way I am&lt;br&gt;&lt;a href=&quot;/title/Mr.+T&quot;&gt;Is the way I am&lt;/a&gt;&lt;br&gt;If I scare people&lt;br&gt;It gives me room&quot;&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;/title/Life+is+crazy&quot;&gt;Life is crazy&lt;/a&gt;&lt;br&gt;This whole world is&lt;br&gt;Some people are odd&lt;br&gt;But they do the job&lt;br&gt;Some fear me&lt;br&gt;'Cos they don't see&lt;br&gt;&lt;a href=&quot;/title/Abseiling+off+CAT5e&quot;&gt;The hundreds of nut-cases&lt;/a&gt;&lt;br&gt;Cov'ring their faces&lt;br&gt;With secret&amp;hellip;</content>
</entry><entry><title>crawl space (poetry)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Sc0ut/writeups/crawl+space"/><id>http://everything2.com/user/Sc0ut/writeups/crawl+space</id><author><name>Sc0ut</name><uri>http://everything2.com/user/Sc0ut</uri></author><published>2009-11-29T21:57:38Z</published><updated>2009-11-29T21:57:38Z</updated>
<content type="html">&lt;p&gt;Dusty, musty smell&lt;br&gt;&lt;a href=&quot;/title/confined+spaces&quot;&gt;Cosy two feet high&lt;/a&gt;&lt;br&gt;A wall behind me&lt;br&gt;&lt;a href=&quot;/title/alone&quot;&gt;With darkness stretching&lt;/a&gt;&lt;br&gt;In three directions&lt;br&gt;Crawled on one foot squares&lt;br&gt;Of particle board&lt;/p&gt;

&lt;p&gt;Looked the place over&lt;br&gt;Torch strapped to my head&lt;br&gt;A quick inspection&lt;br&gt;Revealed a large pipe&lt;br&gt;Ran alongside me&lt;br&gt;Sewage ran through it&lt;br&gt;Tied beneath, &lt;a href=&quot;/title/CAT5&quot;&gt;CAT5&lt;/a&gt;&lt;br&gt;And &lt;a href=&quot;/title/fibre+optic&quot;&gt;optic fibre&lt;/a&gt;&lt;br&gt;Sprinkler pipe ahead&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;/title/Ceiling+Cat&quot;&gt;I'm in ur ceiling&lt;/a&gt;&lt;br&gt;Scouting another&lt;br&gt;Abandoned crawl space&lt;/p&gt;

&lt;p&gt;&lt;small&gt;Dedicated to &lt;a href=&quot;/user/raincomplex&quot;&gt;raincomplex&lt;/a&gt;, keep finding new places.&lt;/small&gt;&lt;/p&gt;</content>
</entry><entry><title>misery loves company (poetry)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/ignis_glaciesque/writeups/misery+loves+company"/><id>http://everything2.com/user/ignis_glaciesque/writeups/misery+loves+company</id><author><name>ignis_glaciesque</name><uri>http://everything2.com/user/ignis_glaciesque</uri></author><published>2009-11-29T21:21:29Z</published><updated>2009-11-29T21:21:29Z</updated>
<content type="html">&lt;p&gt;Some of us circle aimlessly like &lt;a href=&quot;/title/moth&quot;&gt;moths&lt;/a&gt;,&lt;br&gt;
&lt;a href=&quot;/title/celestial+navigation&quot;&gt;Buzzing bewildered around a light:&lt;br&gt;
We're bound so valiantly for the moon&lt;/a&gt;,&lt;br&gt;
But smash ourselves senseless each and every night.&lt;/p&gt;

&lt;p&gt;Some of us are like &lt;a href=&quot;/title/Bird+on+a+Wire&quot;&gt;crows perched on a wire&lt;/a&gt;,&lt;br&gt;
&lt;a href=&quot;/title/participant+observation&quot;&gt;Watching the world pass by down below&lt;/a&gt;:&lt;br&gt;
Birds of a feather, we flock together,&lt;br&gt;
Because it sure beats being alone.&lt;/p&gt;</content>
</entry><entry><title>megapixel (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/rootbeer277/writeups/megapixel"/><id>http://everything2.com/user/rootbeer277/writeups/megapixel</id><author><name>rootbeer277</name><uri>http://everything2.com/user/rootbeer277</uri></author><published>2009-11-29T21:09:56Z</published><updated>2009-11-29T21:09:56Z</updated>
<content type="html">&lt;p&gt;A megapixel is a unit of measurement for the &lt;a href=&quot;/title/resolution&quot;&gt;resolution&lt;/a&gt; of &lt;a href=&quot;/title/digital+camera&quot;&gt;digital cameras&lt;/a&gt;.  Higher megapixel counts are the primary marketing indicator of a higher-quality digital camera.  One &lt;a href=&quot;/title/mega&quot;&gt;mega&lt;/a&gt;pixel is equal to one million &lt;a href=&quot;/title/pixel&quot;&gt;pixels&lt;/a&gt;.  This is about 25% better than 1024x768, a popular screen resolution for computer displays.  The ever-increasing resolution on consumer digital cameras is primarily driven by small and smaller &lt;a href=&quot;/title/charged+coupled+device&quot;&gt;charged coupled device&lt;/a&gt; arrays getting smaller and cheaper to produce.&lt;/p&gt;

&lt;p&gt;Today's average digital cameras typically boast a resolution of over 10 megapixels and can cost under US$150.  This is enormously more resolution than the average family vacation photographer needs, and was just a few years ago only available in high-end professional digital cameras.  A 1 MP camera easily has enough resolution to display pictures on a computer, the primary advantage to higher resolutions is for printing them.  I find that as a &lt;a href=&quot;/title/rule+of+thumb&quot;&gt;rule of thumb&lt;/a&gt;, for each megapixel of resolution,&amp;hellip;</content>
</entry><entry><title>Google Wave (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/webmaren/writeups/Google+Wave"/><id>http://everything2.com/user/webmaren/writeups/Google+Wave</id><author><name>webmaren</name><uri>http://everything2.com/user/webmaren</uri></author><published>2009-11-29T21:05:24Z</published><updated>2009-11-29T21:05:24Z</updated>
<content type="html">&lt;p&gt;Google Wave is &lt;a href=&quot;/title/Google&quot;&gt;Google&lt;/a&gt;'s attempt to blast every other communication framework out there into the dust. Will it be that successful? I doubt it, but it's still gonna be making waves (ha ha &lt;a href=&quot;/title/pun&quot;&gt;pun&lt;/a&gt;) for several years.&lt;/p&gt;

&lt;p&gt;If you don't feel like watching the &lt;a href=&quot;http://www.youtube.com/watch?v=v_UyVmITiYQ&quot;&gt;intensely long video&lt;/a&gt; that Google recorded when it debuted the software at its &lt;a href=&quot;/title/Google+I%252FO&quot;&gt;I/O&lt;/a&gt; conference back in May of 2009, you're in luck. I'm gonna describe Wave to you, though it will probably be a little strange.&lt;/p&gt;

&lt;p&gt;Google Wave is the crossbreed of &lt;a href=&quot;/title/email&quot;&gt;email&lt;/a&gt;, &lt;a href=&quot;/title/instant+messaging&quot;&gt;instant messaging&lt;/a&gt;, &lt;a href=&quot;/title/wiki&quot;&gt;wiki&lt;/a&gt;, and &lt;a href=&quot;/title/forum&quot;&gt;forums&lt;/a&gt;. And that definition itself is probably glossing over half a dozen features that don't come from any of those four technologies. It aimed to combine the best elements of each, and in my opinion, it has. As it is (I'm looking just at the invite-only preview now), there are a lot of rough patches on the software, but it has delivered admirably on it core functionality.&lt;/p&gt;

&lt;p&gt;Google Wave is,&amp;hellip;</content>
</entry><entry><title>Birth of a Lizard (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/lizardinlaw/writeups/Birth+of+a+Lizard"/><id>http://everything2.com/user/lizardinlaw/writeups/Birth+of+a+Lizard</id><author><name>lizardinlaw</name><uri>http://everything2.com/user/lizardinlaw</uri></author><published>2009-11-29T20:52:35Z</published><updated>2009-11-29T20:52:35Z</updated>
<content type="html">&lt;p&gt;In every &lt;a href=&quot;/title/spare&quot;&gt;spare&lt;/a&gt; moment, you have been aching to know the &lt;a href=&quot;/title/origin&quot;&gt;origin&lt;/a&gt; story of &lt;a href=&quot;/title/Lizardinlaw&quot;&gt;Lizardinlaw&lt;/a&gt;. I know this. &lt;a href=&quot;/title/The+reality+of+this+information+makes+it+irrelevant&quot;&gt;Who knows what evil lurks in the hearts of men?&lt;/a&gt; Oh. That's the &lt;a href=&quot;/title/Shadow&quot;&gt;Shadow&lt;/a&gt;, not me.&lt;/p&gt;

&lt;p&gt;My little &lt;a href=&quot;/title/sister&quot;&gt;sister&lt;/a&gt; was diagnosed with &lt;a href=&quot;/title/breast+cancer&quot;&gt;breast cancer&lt;/a&gt; a few months after getting engaged, apparently publicly online, to some &quot;&lt;a href=&quot;/title/noder&quot;&gt;noder&lt;/a&gt;&quot; &lt;a href=&quot;/title/Brit&quot;&gt;Brit&lt;/a&gt;. He had flown over to &lt;a href=&quot;/title/California&quot;&gt;California&lt;/a&gt;, she had flown to &lt;a href=&quot;/title/England&quot;&gt;England&lt;/a&gt; and they jumped over a &lt;a href=&quot;/title/damn&quot;&gt;damn&lt;/a&gt; &lt;a href=&quot;/title/broom&quot;&gt;broom&lt;/a&gt;. They both wrote on some &lt;a href=&quot;/title/Everything2&quot;&gt;weird fucking ass writing site&lt;/a&gt; called E2 and that is where they met.&lt;/p&gt;

&lt;p&gt;My sister called me after her &lt;a href=&quot;/title/MRI&quot;&gt;MRI&lt;/a&gt;. &quot;Katy, I saw the films. One side looks like white netting and the other doesn't have any! I'll have to have a &lt;a href=&quot;/title/mastectomy&quot;&gt;mastectomy&lt;/a&gt;, won't I?&quot;&lt;/p&gt;

&lt;p&gt;&quot;Yes. If they look that different, yes.&quot; I am a family practice &lt;a href=&quot;/title/doctor&quot;&gt;doctor&lt;/a&gt;. I don't read breast MRIs either. But if they look that different, yes, &lt;a href=&quot;/title/bad&quot;&gt;bad&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;The British noder was &lt;a href=&quot;/title/Wertperch&quot;&gt;Wertperch&lt;/a&gt;, aka Kevin. He dropped everything and&amp;hellip;</content>
</entry><entry><title>Heartbreak (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Glowing+Fish/writeups/Heartbreak"/><id>http://everything2.com/user/Glowing+Fish/writeups/Heartbreak</id><author><name>Glowing Fish</name><uri>http://everything2.com/user/Glowing Fish</uri></author><published>2009-11-29T20:18:52Z</published><updated>2009-11-29T20:18:52Z</updated>
<content type="html">&lt;p&gt; Above, it says that the world is divided into those who have experienced heartbreak and those who have not. For those of you lucky or unlucky to not have experienced heartbreak, I offer you an important &lt;a href=&quot;/title/warning&quot;&gt;warning&lt;/a&gt;: &quot;heartbreak&quot; is not a &lt;a href=&quot;/title/metaphor&quot;&gt;metaphor&lt;/a&gt;. &quot;Heartbreak&quot; is not your mind's way of trying to &lt;a href=&quot;/title/parse&quot;&gt;parse&lt;/a&gt; and interpret your feelings, or to explain them using &lt;a href=&quot;/title/poetry&quot;&gt;poetry&lt;/a&gt;. Heartbreak, (and heartbreak can be caused by a number of things, ill-fortune at &lt;a href=&quot;/title/romantic+love&quot;&gt;romantic love&lt;/a&gt; being just one of them) is an immediate feeling in the chest. The only thing inaccurate about the metaphor is that (at least for me), I never feel it as a sharp, tearing pain as &quot;&lt;a href=&quot;/title/break&quot;&gt;break&lt;/a&gt;&quot; might suggest. Its more like a dull aching emptiness somewhat akin to getting &lt;a href=&quot;/title/kicked+in+the+stomach&quot;&gt;kicked in the stomach&lt;/a&gt;. Only less fun. &lt;/p&gt;</content>
</entry><entry><title>money tree (poetry)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Rancid_Pickle/writeups/money+tree"/><id>http://everything2.com/user/Rancid_Pickle/writeups/money+tree</id><author><name>Rancid_Pickle</name><uri>http://everything2.com/user/Rancid_Pickle</uri></author><published>2009-11-29T19:07:08Z</published><updated>2009-11-29T19:07:08Z</updated>
<content type="html">&lt;p&gt;It's obvious to see, I'm a &lt;a href=&quot;/title/money&quot;&gt;money&lt;/a&gt; &lt;a href=&quot;/title/bonsai&quot;&gt;tree&lt;/a&gt;&lt;br&gt;My kids flock by to pick on me&lt;br&gt;They don't care, until I'm quite &lt;a href=&quot;/title/nekkid&quot;&gt;bare&lt;/a&gt;&lt;br&gt;Kids grab my &lt;a href=&quot;/title/gimme+the+cash%2521&quot;&gt;leaves&lt;/a&gt; and &lt;a href=&quot;/title/run+away%2521&quot;&gt;flee&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;I sit and stare, in my &lt;a href=&quot;/title/Lay-z-boy&quot;&gt;Lay-z-boy&lt;/a&gt; lair&lt;br&gt;The kids won't approach on a &lt;a href=&quot;/title/double+dog+dare&quot;&gt;dare&lt;/a&gt;&lt;br&gt;Now that I'm free of all my money&lt;br&gt;I can get some rest, which is &lt;a href=&quot;/title/rare&quot;&gt;rare&lt;/a&gt;.&lt;/p&gt;</content>
</entry><entry><title>Slimming the Fat Controller: Good MVC Design (how-to)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/ZoeB/writeups/Slimming+the+Fat+Controller%253A+Good+MVC+Design"/><id>http://everything2.com/user/ZoeB/writeups/Slimming+the+Fat+Controller%253A+Good+MVC+Design</id><author><name>ZoeB</name><uri>http://everything2.com/user/ZoeB</uri></author><published>2009-11-29T18:13:13Z</published><updated>2009-11-29T18:13:13Z</updated>
<content type="html">&lt;p&gt;I once read &lt;a href=&quot;http://cakephp.org/files/Slides/OCPHP.pdf&quot;&gt;somewhere&lt;/a&gt; that, as a general rule of thumb, the correct way to use an &lt;a href=&quot;/title/Model-view-controller&quot;&gt;MVC framework&lt;/a&gt; is to make sure the models and views are at least as big as the controllers. This is very good advice.&lt;/p&gt;
&lt;p&gt;I don't know about anyone else, but when I started out writing projects in &lt;a href=&quot;/title/CakePHP&quot;&gt;CakePHP&lt;/a&gt;, I wasn't sure where to put a lot of &lt;a href=&quot;/title/computer+code&quot;&gt;code&lt;/a&gt; and, when in doubt, I put it all in the controllers. After a while, I realised there was a much better way of working: putting pretty much all the code that deals with the &lt;a href=&quot;/title/database&quot;&gt;database&lt;/a&gt; in the models, and pretty much all the code that deals with the &lt;a href=&quot;/title/user+interface&quot;&gt;user interface&lt;/a&gt; in the views, leaving the controllers with just the overall &lt;a href=&quot;/title/logic&quot;&gt;logic&lt;/a&gt; of the page to deal with.&lt;/p&gt;
&lt;p&gt;Let's look at a concrete example. I worked on a project where people bought products and subscribed to magazines. When I was making the product buying section of the &lt;a href=&quot;/title/website&quot;&gt;website&lt;/a&gt;, I needed to find out if the person who was logged in had to&amp;hellip;</content>
</entry><entry><title>iPhone 3G (review)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/rootbeer277/writeups/iPhone+3G"/><id>http://everything2.com/user/rootbeer277/writeups/iPhone+3G</id><author><name>rootbeer277</name><uri>http://everything2.com/user/rootbeer277</uri></author><published>2009-11-29T17:47:49Z</published><updated>2009-11-29T17:47:49Z</updated>
<content type="html">&lt;p&gt;In September of 2007, I &lt;a href=&quot;/title/iPhone#rootbeer277&quot;&gt;reviewed Apple's iPhone classic&lt;/a&gt;.  Although it was a beautiful piece of electronics by any standard, it didn't have the expansive software library I'd come to rely on in my &lt;a href=&quot;/title/Palm+Treo&quot;&gt;Palm Treo&lt;/a&gt;.  It was with a heavy heart that I returned it to AT&amp;T and went back to my loyal &lt;a href=&quot;/title/Swiss+Army+Knife&quot;&gt;Swiss Army Knife&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;Come July of 2008, I tried again with Apple's new &lt;strong&gt;iPhone 3G&lt;/strong&gt;.  The 3G has a number of upgrades over the classic version, most importantly the &lt;a href=&quot;/title/iTunes&quot;&gt;iTunes App Store&lt;/a&gt;.  It was a whole new experience.  The iPhone 3G took everything that was great about the original (covered in my original review, so I won't repeat them here), patched up a few oversights, and fixed almost everything that was lacking.  When version 3.0 of the software was released, the iPhone could even finally &lt;a href=&quot;/title/cut+and+paste&quot;&gt;copy and paste&lt;/a&gt;!  This feature was long overdue.  The iPhone proved itself to be every bit the workhorse my Palm Treo was, but sleeker, faster, and, yes I'll&amp;hellip;</content>
</entry><entry><title>pidgin (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/webmaren/writeups/pidgin"/><id>http://everything2.com/user/webmaren/writeups/pidgin</id><author><name>webmaren</name><uri>http://everything2.com/user/webmaren</uri></author><published>2009-11-29T16:06:40Z</published><updated>2009-11-29T16:06:40Z</updated>
<content type="html">&lt;p&gt;Pidgin is an open-source instant messaging client. At the time of writing, it is in version 2.6.2 and is one of the most popular cross-platform, cross-network instant messaging applications.&lt;/p&gt;

&lt;p&gt;Pidgin was originally called &lt;a href=&quot;/title/GAIM&quot;&gt;GAIM&lt;/a&gt;, however as a result of a trademark violation claim from &lt;a href=&quot;/title/AOL&quot;&gt;AOL&lt;/a&gt;, the project renamed itself Pidgin and changed the name of its base library from libgaim to &lt;a href=&quot;/title/libpurple&quot;&gt;libpurple&lt;/a&gt;. The GAIM acronym, which stood for Gtk + AIM, had become somewhat obsolete already, as GAIM supported many other instant messaging networks, so the name change was not especially resisted.&lt;/p&gt;

&lt;p&gt;&lt;h1&gt;Network Access&lt;/h1&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;/title/Bonjour&quot;&gt;Bonjour&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/Gadu-Gadu&quot;&gt;Gadu-Gadu&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/IRC&quot;&gt;Internet Relay Chat&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Lotus &lt;a href=&quot;/title/Sametime&quot;&gt;Sametime&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/MySpaceIM&quot;&gt;MySpaceIM&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/MSN+Messenger&quot;&gt;MSN Messenger&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Novell &lt;a href=&quot;/title/GroupWise&quot;&gt;GroupWise&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;OSCAR (&lt;a href=&quot;/title/AOL+Instant+Messenger&quot;&gt;AIM&lt;/a&gt;/&lt;a href=&quot;/title/ICQ&quot;&gt;ICQ&lt;/a&gt;/.Mac)&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/QQ&quot;&gt;QQ&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/SIMPLE&quot;&gt;SIMPLE&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/SILC&quot;&gt;SILC&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/XMPP&quot;&gt;XMPP&lt;/a&gt; (&lt;a href=&quot;/title/Google+Talk&quot;&gt;Google Talk&lt;/a&gt;, LJ Talk, Gizmo5, ...)&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/Yahoo%2521+Messenger&quot;&gt;Yahoo! Messenger&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/Zephyr&quot;&gt;Zephyr&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&amp;hellip;</content>
</entry><entry><title>Andromeda (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/webmaren/writeups/Andromeda"/><id>http://everything2.com/user/webmaren/writeups/Andromeda</id><author><name>webmaren</name><uri>http://everything2.com/user/webmaren</uri></author><published>2009-11-29T15:26:35Z</published><updated>2009-11-29T15:26:35Z</updated>
<content type="html">&lt;p&gt;&lt;i&gt;Andromeda&lt;/i&gt; was a &lt;a href=&quot;/title/science+fiction&quot;&gt;science fiction&lt;/a&gt; TV show based upon leftover material from &lt;a href=&quot;/title/Gene+Roddenberry&quot;&gt;Gene Roddenberry&lt;/a&gt;, creator of &lt;i&gt;&lt;a href=&quot;/title/Star+Trek&quot;&gt;Star Trek&lt;/a&gt;&lt;/i&gt;. It ran on American and Canadian television networks from October 2000 to May 2005.&lt;/p&gt;

&lt;p&gt;&lt;i&gt;Andromeda&lt;/i&gt; followed the &lt;a href=&quot;/title/Systems+Commonwealth&quot;&gt;Systems Commonwealth&lt;/a&gt; &lt;a href=&quot;/title/High+Guard&quot;&gt;High Guard&lt;/a&gt; warship &lt;i&gt;&lt;a href=&quot;/title/Andromeda+Ascendant&quot;&gt;Andromeda Ascendant&lt;/a&gt;&lt;/i&gt; and its captain, Dylan Hunt, as Hunt attempted to revive the Commonwealth from its destruction 300 years previously in order to defend its old territories from invasion by the &lt;a href=&quot;/title/Magog&quot;&gt;Magog&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;&lt;h1&gt;&lt;u&gt;Characters&lt;/u&gt;&lt;/h1&gt;&lt;ul&gt;&lt;li&gt;&lt;b&gt;&lt;a href=&quot;/title/Dylan+Hunt&quot;&gt;Dylan Hunt&lt;/a&gt;&lt;/b&gt; (&lt;a href=&quot;/title/Kevin+Sorbo&quot;&gt;Kevin Sorbo&lt;/a&gt;) - Captain of the &lt;i&gt;Andromeda Ascendant&lt;/i&gt; and the show's main protagonist.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;a href=&quot;/title/Beka+Valentine&quot;&gt;Beka Valentine&lt;/a&gt;&lt;/b&gt; (&lt;a href=&quot;/title/Lisa+Ryder&quot;&gt;Lisa Ryder&lt;/a&gt;) - Captain of the &lt;i&gt;Eureka Maru&lt;/i&gt; and first officer of the &lt;i&gt;Andromeda Ascendant&lt;/i&gt;.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;a href=&quot;/title/Tyr+Anasazi&quot;&gt;Tyr Anasazi&lt;/a&gt;&lt;/b&gt; (&lt;a href=&quot;/title/Keith+Hamilton+Cobb&quot;&gt;Keith Hamilton Cobb&lt;/a&gt;) - A Nietzschean mercenary who serves as Weapons Officer aboard the &lt;i&gt;Andromeda Ascendant&lt;/i&gt;. (Seasons 1-4)&lt;/li&gt;
&lt;li&gt;&lt;b&gt;&lt;a href=&quot;/title/Seamus+Harper&quot;&gt;Seamus Harper&lt;/a&gt;&lt;/b&gt; (&lt;/li&gt;&lt;/ul&gt;&amp;hellip;</content>
</entry><entry><title>and the voice of someone now mute (person)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/antigravpussy/writeups/and+the+voice+of+someone+now+mute"/><id>http://everything2.com/user/antigravpussy/writeups/and+the+voice+of+someone+now+mute</id><author><name>antigravpussy</name><uri>http://everything2.com/user/antigravpussy</uri></author><published>2009-11-29T15:14:31Z</published><updated>2009-11-29T15:14:31Z</updated>
<content type="html">&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;I enter
the &lt;a href=&quot;/title/in+silence%252C+knowledge+of+the+heart&quot;&gt;silence of the&lt;/a&gt; room, a silence
that vibrates in my ears. It almost sounds like it's spelling out your
name, letter by letter, floating past the middle of it, stroking the
&lt;a href=&quot;/title/your+name+is+beautiful&quot;&gt;a&lt;/a&gt;. That's the tone that inclines the change of
your name, the tone I can either pressure or soften, sharpen or smooth
out. I have the inkling of a feeling that indicates that I might one
day be able to do that. Maybe then, once your letters are smoothened
into a slab of rock, will I not &lt;a href=&quot;/title/you+are+a+fool+to+the+stage%252C+a+rough+sheet+of+paper+in+the+pocket+of+pink+dress%252C+a+remnant+of+another+life&quot;&gt;fade in&lt;/a&gt; front of you? Will I not fall, crumble like so many times
before? Only this once, touch your name with my hand, hold your name to
my heart, in silence. Where there will be no words spoken and no bodily
movements, no feet walking away. And won't they say; should it not fill
me with dread? Should it not be&amp;hellip;</content>
</entry><entry><title>breaking the curse (personal)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/cassparadox/writeups/breaking+the+curse"/><id>http://everything2.com/user/cassparadox/writeups/breaking+the+curse</id><author><name>cassparadox</name><uri>http://everything2.com/user/cassparadox</uri></author><published>2009-11-29T14:18:08Z</published><updated>2009-11-29T14:18:08Z</updated>
<content type="html">&lt;p&gt;We'd been fighting.&lt;/p&gt;

&lt;p&gt;He wanted to call off the engagement; I was &lt;a href=&quot;/title/delusional&quot;&gt;fighting for it&lt;/a&gt;. Surrender no ground, dig my heels in, going from &lt;a href=&quot;/title/codependent&quot;&gt;compliant and worshipful&lt;/a&gt; to tenacious and fiery in the defense of something that did me no good. Our friends mouthed promises not to take sides. Meanwhile, they did, lining up on both sides, swearing off conflict in favor of whispering behind both of our backs. Hooray for &lt;a href=&quot;/title/Minnesota+Nice&quot;&gt;Minnesota Nice&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;It seemed unnatural, &lt;a href=&quot;/title/out+of+the+blue&quot;&gt;out of the blue&lt;/a&gt;. So when I found the bucket of ashes with the cross dressed in children's clothes in the locked closet of in the basement of the rental house, when I got an explanation for the strange nightmares I'd been having, I jumped in with both eyes wide open, circling in to find the strange symbols that were everywhere, the little crosses, the strange &lt;a href=&quot;/title/runes&quot;&gt;runes&lt;/a&gt;, the gaping cracks in the floor and walls despite numerous (recent) mud jobs. At twenty, I wanted an explanation badly enough I could taste it.&lt;/p&gt;

&lt;p&gt;Surely he&amp;hellip;</content>
</entry><entry><title>Leo Tolstoy (person)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/davoroy/writeups/Leo+Tolstoy"/><id>http://everything2.com/user/davoroy/writeups/Leo+Tolstoy</id><author><name>davoroy</name><uri>http://everything2.com/user/davoroy</uri></author><published>2009-11-29T10:50:08Z</published><updated>2009-11-29T10:50:08Z</updated>
<content type="html">&lt;p&gt;&lt;small&gt;(Any info without citation comes from &lt;em&gt;The Kreutzer Sonata and Other Stories&lt;/em&gt;, Oxford University Press, Oxford, Great Britain, 1998. For other sources, see end of writeup.)&lt;/small&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Lev Nikolayevich Tolstoy&lt;/b&gt;: the author of  &lt;em&gt;&lt;a href=&quot;/title/War+and+Peace&quot;&gt;War and Peace&lt;/a&gt;&lt;/em&gt;, &lt;em&gt;&lt;a href=&quot;/title/Anna+Kerenina&quot;&gt;Anna Kerénina&lt;/a&gt;&lt;/em&gt;, and &lt;em&gt;&lt;a href=&quot;/title/The+Death+of+Ivan+Ilych&quot;&gt;The Death of Iván Illých&lt;/a&gt;&lt;/em&gt;. Leo Tolstoy's work is known for putting the fundaments of human nature onstage; making the big abstracts--philosophy, death, sociology, religion--a matter of character. It might be said that he was Modern before &lt;a href=&quot;/title/modernism&quot;&gt;Modernism&lt;/a&gt; came along. His best fiction (most notably those mentioned above) strove to withhold moral judgment and instead allow the realistic action of his characters to speak to universal issues. In 1881, he had a &lt;a href=&quot;/title/christian&quot;&gt;Christian&lt;/a&gt; &lt;a href=&quot;/title/rebirth&quot;&gt;rebirth&lt;/a&gt;, and later writings tended to be Christian tales or political pamphlets that took a moralistic stance. For all of his adult life,&amp;hellip;</content>
</entry><entry><title>Till The Morning Comes (review)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Glowing+Fish/writeups/Till+The+Morning+Comes"/><id>http://everything2.com/user/Glowing+Fish/writeups/Till+The+Morning+Comes</id><author><name>Glowing Fish</name><uri>http://everything2.com/user/Glowing Fish</uri></author><published>2009-11-29T10:18:28Z</published><updated>2009-11-29T10:18:28Z</updated>
<content type="html">&lt;p&gt; &quot;Till The Morning Comes&quot; is a song by &lt;a href=&quot;/title/Neil+Young&quot;&gt;Neil Young&lt;/a&gt; on the &lt;a href=&quot;/title/seminal&quot;&gt;seminal&lt;/a&gt; &lt;a href=&quot;/title/After+the+Gold+Rush&quot;&gt;After the Gold Rush&lt;/a&gt; album. It ends the first side of the album. It is a very short song, around a minute in length, and seems almost to be an afterthought, as the song fades away as the first side of the album comes to an end. The lyrics are also very simple: 
&lt;blockquote&gt;
I'm gonna give you till the morning comes
Till the morning comes, till the morning comes.

I'm only waiting till the morning comes
Till the morning comes, till the morning comes. 
&lt;/blockquote&gt;

And those are the lyrics in their entirety. &lt;/p&gt;
&lt;p&gt; Neil Young was known as one of the more &lt;a href=&quot;/title/cerebral&quot;&gt;cerebral&lt;/a&gt; rock musicians, and many of his lyrics were somehow socially meaningful, or at least poetic and evocative. Or sometimes mysterious. But this song is exactly what it sounds like: a simple plaintive message, that doesn't say much, but manages to capture a mood very very well. This song was written in the days before every telephone had a little clock on it; but&amp;hellip;</content>
</entry><entry><title>Mission Bay (place)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Demeter/writeups/Mission+Bay"/><id>http://everything2.com/user/Demeter/writeups/Mission+Bay</id><author><name>Demeter</name><uri>http://everything2.com/user/Demeter</uri></author><published>2009-11-29T09:33:22Z</published><updated>2009-11-29T09:33:22Z</updated>
<content type="html">&lt;p&gt;&lt;a href=&quot;/title/Mission+Bay&quot;&gt;Mission Bay&lt;/a&gt; is the most commercialised of &lt;a href=&quot;/title/Auckland&quot;&gt;Auckland's&lt;/a&gt; seafront bays.  Between the &lt;a href=&quot;/title/Central+Business+District&quot;&gt;CBD&lt;/a&gt; and &lt;a href=&quot;/title/Kaimanawa+Beach&quot;&gt;Kaimanawa Beach&lt;/a&gt;/&lt;a href=&quot;/title/St+Heliers&quot;&gt;St Heliers&lt;/a&gt;, it boasts the remains of an old &lt;a href=&quot;/title/Mission+House&quot;&gt;Mission House&lt;/a&gt; complex, (hence the name, obviously) a &lt;a href=&quot;/title/fountain&quot;&gt;fountain&lt;/a&gt;, a &lt;a href=&quot;/title/playground&quot;&gt;playground&lt;/a&gt;, a weekly &lt;a href=&quot;/title/Arts+and+Crafts&quot;&gt;Arts and Crafts&lt;/a&gt; market and &lt;a href=&quot;/title/Bastion+Point&quot;&gt;Bastion Point&lt;/a&gt; which is surrounded by gardens, and contains a memorial to &lt;a href=&quot;/title/Michael+Joseph+Savage&quot;&gt;Michael Joseph Savage&lt;/a&gt;, one of the most prominent of the country's past leaders, and and commands a great view across the &lt;a href=&quot;/title/Hauraki+Gulf&quot;&gt;Hauraki Gulf&lt;/a&gt; to &lt;a href=&quot;/title/Rangitoto&quot;&gt;Rangitoto&lt;/a&gt; Island.  There are also numerous &lt;a href=&quot;/title/cafe&quot;&gt;cafes&lt;/a&gt; where you can sit and watch the &lt;a href=&quot;/title/energetic&quot;&gt;energetic&lt;/a&gt; types run past.  There are &lt;a href=&quot;/title/rollerblade&quot;&gt;rollerblades &lt;/a&gt;and &lt;a href=&quot;/title/kayak&quot;&gt;kayaks&lt;/a&gt; for hire locally, so you can &lt;a href=&quot;/title/marvel&quot;&gt;marvel&lt;/a&gt; or &lt;a href=&quot;/title/snicker&quot;&gt;snicker&lt;/a&gt; at the hirers, too, depending on their skill level. It's a pleasant place to while away a sunny Sunday morning.&lt;/p&gt;</content>
</entry><entry><title>The Sonnets versus Venus and Adonis (essay)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Demeter/writeups/The+Sonnets+versus+Venus+and+Adonis"/><id>http://everything2.com/user/Demeter/writeups/The+Sonnets+versus+Venus+and+Adonis</id><author><name>Demeter</name><uri>http://everything2.com/user/Demeter</uri></author><published>2009-11-29T08:50:19Z</published><updated>2009-11-29T08:50:19Z</updated>
<content type="html">&lt;h4&gt;Are the sonnets the key that &lt;a href=&quot;/title/Wiliam+Shakespeare&quot;&gt;Shakespeare&lt;/a&gt; used to 'unlock his heart'?  Is &lt;a href=&quot;/title/Venus+and+Adonis&quot;&gt;Venus and Adonis&lt;/a&gt; really 'utterly aloof' from his own feelings? Are these works really polar opposites?&lt;/h4&gt;


   &lt;p&gt; At first glance, the two comments above, by &lt;a href=&quot;/title/William+Wordsworth&quot;&gt;Wordsworth&lt;/a&gt; and &lt;a href=&quot;/title/Samuel+Taylor+Coleridge&quot;&gt;Coleridge&lt;/a&gt; respectively, appear to come from the school of the blindingly &lt;a href=&quot;/title/obvious&quot;&gt;obvious&lt;/a&gt;; that  &lt;a href=&quot;/title/establishment&quot;&gt;establishment&lt;/a&gt; which brings us studies that show that &lt;a href=&quot;/title/insomnia&quot;&gt;insomniacs&lt;/a&gt; are generally more tired during the day than those who get a full eight hours sleep.  The sonnets are poems of love, we might argue, and &lt;em&gt;Venus and Adonis&lt;/em&gt; is a narrative work, &amp;ndash; about love, certainly, but springing from the brain, not the heart. These two different genres, we would probably continue, are in themselves completely different and therefore justify completely different approaches: they may even demand them. But the school of the blindingly obvious may not always teach the right lessons, and conventional&amp;hellip;</content>
</entry><entry><title>Jonah (poetry)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Demeter/writeups/Jonah"/><id>http://everything2.com/user/Demeter/writeups/Jonah</id><author><name>Demeter</name><uri>http://everything2.com/user/Demeter</uri></author><published>2009-11-29T07:49:54Z</published><updated>2009-11-29T07:49:54Z</updated>
<content type="html">&lt;p&gt;You are &lt;a href=&quot;/title/pragmatic&quot;&gt;pragmatic&lt;/a&gt;:&lt;br&gt;you understand the nature &lt;br&gt;of &lt;a href=&quot;/title/inevitability&quot;&gt;inevitability&lt;/a&gt; and don't struggle &lt;br&gt;against its burdens. And, so, &lt;br&gt;you let yourself &lt;a href=&quot;/title/sink&quot;&gt;sink&lt;/a&gt; &lt;br&gt;without flailing, out of the daylight&lt;br&gt;slide down, under, below,&lt;br&gt;along the glossy &lt;a href=&quot;/title/gullet&quot;&gt;gullet&lt;/a&gt; &lt;br&gt;that leads into the roaring &lt;br&gt;belly of the &lt;a href=&quot;/title/leviathan&quot;&gt;leviathan&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;Others, each responding to the &lt;a href=&quot;/title/impetus+&quot;&gt;impetus &lt;/a&gt;&lt;br&gt;of their own &lt;a href=&quot;/title/necessity&quot;&gt;necessity&lt;/a&gt;, are caught &lt;br&gt;as you are. They shiver, &lt;br&gt;sweat and wheeze in the &lt;a href=&quot;/title/noxious&quot;&gt;noxious&lt;/a&gt; air &lt;br&gt;that fills the rolling &lt;a href=&quot;/title/cavity&quot;&gt;cavity&lt;/a&gt;. &lt;br&gt;Their faces, pale, dark, olive, tan,&lt;br&gt;stretch away from you like &lt;a href=&quot;/title/string+of+pearls&quot;&gt;strung pearls&lt;/a&gt;&lt;br&gt;dangling into the &lt;a href=&quot;/title/distance&quot;&gt;distance&lt;/a&gt; &lt;br&gt;far beyond &lt;br&gt;the limits of your vision.&lt;/p&gt;

&lt;p&gt;While one or another may curse&lt;br&gt;aloud as they &lt;a href=&quot;/title/stumble&quot;&gt;stumble&lt;/a&gt;, unbalanced &lt;br&gt;by some abrupt &lt;a href=&quot;/title/lurch&quot;&gt;lurch&lt;/a&gt; or twist, &lt;br&gt;nobody converses. Eyes slip away,&lt;br&gt;gliding off &lt;a href=&quot;/title/importunate&quot;&gt;importunate&lt;/a&gt; glances&lt;br&gt;like slick weed off scales. They know&lt;br&gt;as you know, these others: &lt;br&gt;you are not companions; though&lt;br&gt;&amp;hellip;</content>
</entry><entry><title>seduced by sky (poetry)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Demeter/writeups/seduced+by+sky"/><id>http://everything2.com/user/Demeter/writeups/seduced+by+sky</id><author><name>Demeter</name><uri>http://everything2.com/user/Demeter</uri></author><published>2009-11-29T07:45:48Z</published><updated>2009-11-29T07:45:48Z</updated>
<content type="html">&lt;p&gt;We're supposed, I &lt;a href=&quot;/title/suppose&quot;&gt;suppose&lt;/a&gt;, when we look to the stars&lt;br&gt;to reflect and to &lt;a href=&quot;/title/contemplate&quot;&gt;contemplate&lt;/a&gt;:&lt;br&gt;how &lt;a href=&quot;/title/stranger+in+a+strange+land&quot;&gt;very far it is&lt;/a&gt;, even to &lt;a href=&quot;/title/Mars&quot;&gt;Mars&lt;/a&gt;,&lt;br&gt;how the space of ... well, &lt;a href=&quot;/title/space&quot;&gt;space&lt;/a&gt;, is so &lt;a href=&quot;/title/Hello+spaceboy&quot;&gt;great&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;We're supposed to be awed by the &lt;a href=&quot;/title/the+sun+is+a+mass+of+incandescent+gas&quot;&gt;millions of lights&lt;/a&gt;,&lt;br&gt;and to ponder the &lt;a href=&quot;/title/big+bang+theory&quot;&gt;thousands of years&lt;/a&gt;&lt;br&gt;they've been &lt;a href=&quot;/title/floating+in+a+tin+can&quot;&gt;shining like sails on the dark sea of night&lt;/a&gt;&lt;br&gt;till the &lt;a href=&quot;/title/across+the+universe&quot;&gt;universe&lt;/a&gt; washed them up here.&lt;/p&gt;

&lt;p&gt;We're supposed, I &lt;a href=&quot;/title/faith&quot;&gt;believe&lt;/a&gt;, to feel wonder and all&lt;br&gt;at the &lt;a href=&quot;/title/zaphod+beeblebrox&quot;&gt;sheer size of nothingness there&lt;/a&gt;&lt;br&gt;remembering all our &lt;a href=&quot;/title/insignificant&quot;&gt;concerns are so small&lt;/a&gt;&lt;br&gt;that the &lt;a href=&quot;/title/cosmos&quot;&gt;cosmos&lt;/a&gt; won't notice, or care.&lt;/p&gt;

&lt;p&gt;But, though I'm &lt;a href=&quot;/title/astound&quot;&gt;astounded&lt;/a&gt;, &lt;a href=&quot;/title/astonish&quot;&gt;astonished&lt;/a&gt; and such&lt;br&gt;at the &lt;a href=&quot;/title/firework&quot;&gt;firework&lt;/a&gt; display that I  see,&lt;br&gt;I'm amazed most of all that night loves me so much&lt;br&gt;he'd put on such a show &amp;ndash; just for me.&lt;/p&gt;</content>
</entry><entry><title>xmonad (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/ushdfgakjasgh/writeups/xmonad"/><id>http://everything2.com/user/ushdfgakjasgh/writeups/xmonad</id><author><name>ushdfgakjasgh</name><uri>http://everything2.com/user/ushdfgakjasgh</uri></author><published>2009-11-29T06:58:45Z</published><updated>2009-11-29T06:58:45Z</updated>
<content type="html">&lt;p&gt;No writeup on &lt;a href=&quot;/title/xmonad&quot;&gt;xmonad&lt;/a&gt;?  What the hell is the matter with you people?&lt;/p&gt;

&lt;p&gt;Xmonad is the totally bitching, kick-ass tiling window manager written in Haskell for use with the &lt;a href=&quot;/title/X11&quot;&gt;X11&lt;/a&gt; windowing environment.  It is incredibly configurable and allows you to do things like:&lt;/p&gt;

&lt;p&gt;&lt;ul&gt;
&lt;li&gt;Arrange your windows in a &lt;a href=&quot;/title/awesome&quot;&gt;Fibonacci spiral&lt;/a&gt;
&lt;li&gt;Press mod-P to run dmenu, which lets you run any program with visual autocomplete.&lt;/li&gt;
&lt;li&gt;Run xmobar, which you could really do anyway, but if you use the avoidstruts layout, it works very nicely, and xmobar/dzen/whatever will take the output from xmonad's loghook and jam it right into your totally bitching menubar!&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/awesome&quot;&gt;Write extensions in Haskell&lt;/a&gt;!&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/Saint+George+used+the+wrong+tactics&quot;&gt;Do whatever the hell you want&lt;/a&gt;, because Haskell is the best programming language in the history of programming languages!&lt;/li&gt;
&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;

&lt;p&gt;Did I not sell you on using &lt;a href=&quot;/title/xmonad&quot;&gt;xmonad&lt;/a&gt; yet?  Well, here's my xmonad.hs, for your perusal.  It has a bunch of&amp;hellip;</content>
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