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    <title>David Greene's New Writeups</title>
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    <updated>1999-11-13T09:30:03Z</updated>
<entry><title>plural plurals (idea)</title><link rel="alternate" type="text/html" href="http://www.everything2.org:80/user/David+Greene/writeups/plural+plurals"/><id>http://www.everything2.org:80/user/David+Greene/writeups/plural+plurals</id><author><name>David Greene</name><uri>http://www.everything2.org:80/user/David Greene</uri></author><published>1999-11-13T09:30:03Z</published><updated>1999-11-13T09:30:03Z</updated>
<content type="html">A set of two or more &lt;a href=&quot;/title/set&quot;&gt;set&lt;/a&gt;s of size two or greater.  A &lt;a href=&quot;/title/tree&quot;&gt;tree&lt;/a&gt; containing vertices of &lt;a href=&quot;/title/degree&quot;&gt;degree&lt;/a&gt; three or more.

&lt;p&gt;See also: &lt;a href=&quot;/title/vertex&quot;&gt;vertex&lt;/a&gt;</content>
</entry><entry><title>James P. Johnson (person)</title><link rel="alternate" type="text/html" href="http://www.everything2.org:80/user/David+Greene/writeups/James+P.+Johnson"/><id>http://www.everything2.org:80/user/David+Greene/writeups/James+P.+Johnson</id><author><name>David Greene</name><uri>http://www.everything2.org:80/user/David Greene</uri></author><published>1999-11-13T09:29:25Z</published><updated>1999-11-13T09:29:25Z</updated>
<content type="html">The &lt;a href=&quot;/title/father&quot;&gt;father&lt;/a&gt; of &lt;a href=&quot;/title/stride+piano&quot;&gt;stride piano&lt;/a&gt;.  Johnson influenced such great piano players as &lt;a href=&quot;/title/Fats+Waller&quot;&gt;Fats Waller&lt;/a&gt; and &lt;a href=&quot;/title/Duke+Ellington&quot;&gt;Duke Ellington&lt;/a&gt;.  His &lt;i&gt;&lt;a href=&quot;/title/Carolina+Shout&quot;&gt;Carolina Shout&lt;/a&gt;&lt;/i&gt; set the standard for stride.

&lt;p&gt;He is also the composer of &lt;i&gt;&lt;a href=&quot;/title/Charleston&quot;&gt;Charleston&lt;/a&gt; (South Carolina)&lt;/i&gt; which lends its name to the famous 1920`s &lt;a href=&quot;/title/dance&quot;&gt;dance&lt;/a&gt; step.</content>
</entry><entry><title>Back-beat (thing)</title><link rel="alternate" type="text/html" href="http://www.everything2.org:80/user/David+Greene/writeups/Back-beat"/><id>http://www.everything2.org:80/user/David+Greene/writeups/Back-beat</id><author><name>David Greene</name><uri>http://www.everything2.org:80/user/David Greene</uri></author><published>1999-11-13T09:29:24Z</published><updated>1999-11-13T09:29:24Z</updated>
<content type="html">A characteristic of &lt;a href=&quot;/title/stride+piano&quot;&gt;stride piano&lt;/a&gt; in which the regular &lt;a href=&quot;/title/tenth&quot;&gt;tenth&lt;/a&gt;-&lt;a href=&quot;/title/chord&quot;&gt;chord&lt;/a&gt; &lt;a href=&quot;/title/rhythm&quot;&gt;rhythm&lt;/a&gt;ic bass pattern is interrupted by playing a &lt;a href=&quot;/title/tenth&quot;&gt;tenth&lt;/a&gt; in place of a &lt;a href=&quot;/title/chord&quot;&gt;chord&lt;/a&gt;, and &lt;a href=&quot;/title/vice-versa&quot;&gt;vice-versa&lt;/a&gt;. &lt;p&gt;Sometimes called a &quot;&lt;a href=&quot;/title/drop&quot;&gt;drop&lt;/a&gt;&quot; or &quot;&lt;a href=&quot;/title/interrupt&quot;&gt;interrupt&lt;/a&gt;ed&quot; &lt;a href=&quot;/title/bass&quot;&gt;bass&lt;/a&gt;.
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</entry><entry><title>stride piano (thing)</title><link rel="alternate" type="text/html" href="http://www.everything2.org:80/user/David+Greene/writeups/stride+piano"/><id>http://www.everything2.org:80/user/David+Greene/writeups/stride+piano</id><author><name>David Greene</name><uri>http://www.everything2.org:80/user/David Greene</uri></author><published>1999-11-13T09:29:24Z</published><updated>1999-11-13T09:29:24Z</updated>
<content type="html">The original style of &lt;a href=&quot;/title/jazz&quot;&gt;jazz&lt;/a&gt; &lt;a href=&quot;/title/piano&quot;&gt;piano&lt;/a&gt;, descended from &lt;a href=&quot;/title/ragtime&quot;&gt;ragtime&lt;/a&gt;. &lt;p&gt;Stride employes &lt;a href=&quot;/title/tenth&quot;&gt;tenth&lt;/a&gt;s rather than &lt;a href=&quot;/title/octave&quot;&gt;octave&lt;/a&gt;s. Tenths are often rolled (forward and backward) with backward-tenths being fundamental to the genre.  &lt;a href=&quot;/title/Back-beat&quot;&gt;Back-beat&lt;/a&gt;s are used to break up the &lt;a href=&quot;/title/octave&quot;&gt;octave&lt;/a&gt;-&lt;a href=&quot;/title/chord&quot;&gt;chord&lt;/a&gt; &lt;a href=&quot;/title/rhythm&quot;&gt;rhythm&lt;/a&gt;.  Stride also &lt;a href=&quot;/title/swing&quot;&gt;swing&lt;/a&gt;s! &lt;p&gt;&lt;a href=&quot;/title/James+P.+Johnson&quot;&gt;James P. Johnson&lt;/a&gt; (the father of stride), &lt;a href=&quot;/title/Fats+Waller&quot;&gt;Fats Waller&lt;/a&gt; and &lt;a href=&quot;/title/Wille+%2528The+Lion%2529+Smith&quot;&gt;Wille (The Lion) Smith&lt;/a&gt; are the &quot;big three&quot; stride players.
&lt;p&gt;&lt;a href=&quot;/title/Judy+Carmichael&quot;&gt;Judy Carmichael&lt;/a&gt; is probably the best-known living performer.</content>
</entry><entry><title>compiler (thing)</title><link rel="alternate" type="text/html" href="http://www.everything2.org:80/user/David+Greene/writeups/compiler"/><id>http://www.everything2.org:80/user/David+Greene/writeups/compiler</id><author><name>David Greene</name><uri>http://www.everything2.org:80/user/David Greene</uri></author><published>1999-11-13T09:15:28Z</published><updated>1999-11-13T09:15:28Z</updated>
<content type="html">&lt;p&gt;Any piece of sotware that translates one source &lt;a href=&quot;/title/language&quot;&gt;language&lt;/a&gt; into a target &lt;a href=&quot;/title/language&quot;&gt;language&lt;/a&gt;, often performing &lt;a href=&quot;/title/transformations&quot;&gt;transformations&lt;/a&gt; along the way.  Usually in reference to software that translates high-level computer &lt;a href=&quot;/title/source+code&quot;&gt;source code&lt;/a&gt; into machine-dependent &lt;a href=&quot;/title/object+code&quot;&gt;object code&lt;/a&gt;.&lt;/p&gt;</content>
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